Inception台词学习

nanhainan

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( P5 Y- N0 s, K6 R* ^( i2 A0 UAre you here to kill me?   Saito坐在昏暗日式房间的桌前,这样问,显然他已在Limbo中迷失了记忆.
你是来杀我的吗?

I know what this is.      Cobb拿出了图腾.
我知道这是什么
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# R1 I' q9 m6 S% `& m! jI've seen one before. Many, many years ago.     Saito恢复了一些回忆
/ U7 e; e% \; I' h7 [8 F我之前见过，那是在很多很多年前
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, {5 y7 W) A* D$ `. C# W0 ~- C9 MIt belonged to a man I met in a half-remembered dream.
1 |: X. U7 J3 y! t+ ]5 e在一个已经记不清的梦里,我见过他
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# a7 |/ I; _4 \7 `7 x; r! Y1 e0 TA man possessed of some radical notions.
那个人有一些激进的想法
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画面转到故事的开始

% D, f, c) [% T2 N0 TWhat is the most resilient parasite?  Cobb在讲解
- G$ ~  g1 w* j$ k: R# n, k. n哪种寄生虫生命力最强?
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4 }6 f9 e' Z( ^0 Z3 PA bacteria? A virus?
细菌? 病毒?
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An intestinal worm?
% d- L8 _+ O4 v4 J/ ~& x蛔虫?
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Uh...
6 r* a: Q* c- P% X1 n( Q呃...

4 U+ Y( r' ]1 f- l* CWhat Mr. Cobb is trying to say...
柯布先生想说...

9 b" h+ F; A' h0 G" h) aAn idea.
; `/ P4 T# K" ?+ G' U是想法
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Resilient. Highly contagious.
% M3 G; q" h5 r8 O& ~, k. M生命力强，极易传染
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Once an idea has taken hold of the brain, it's almost impossible to eradicate.
1 [4 \" R) O, H. p: S一旦大脑被某个想法占据，想抹去它基本是不可能的
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  H& L# Q# N  L( f' n/ o) CAn idea that is fully formed, fully understood, that sticks.
完整透徹的想法，会挥之不去
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Right in there somewhere.    Cobb指着自己的脑袋
就藏在这里

For someone like you to steal?
0 V* O9 T. `; J$ w% a给像你这样的人去偷?
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/ ?6 O0 ?0 D) M5 xYes. In the dream state, your conscious defenses are lowered...
是的，在梦境中，意识的防御会降低...

...and that makes your thoughts vulnerable to theft.
...这使你的思想易于被偷窃

It's called extraction.
这就叫盗梦

Mr. Saito, we can train
your subconscious to defend itself...
Saito,我们可以训练你的意识来自我防御

...from even the most skilled extractor.
甚至可以对训练有素的盗梦者

How can you do that?
你怎么来实现呢?
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; S; M: o; G5 D$ [9 P" TBecause I am the most skilled extractor.
因为我就是最有经验的盗梦者
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I know how to search your mind
and find your secrets. I know the tricks.
我了解怎样去搜索你的思想,找到你的秘密,我知道其中的技巧.

" X. l+ v9 q' J( l) p/ k% Q4 yAnd I can teach them to you,
) d& v+ Q3 M) P9 T/ X2 j( X* A, rso that even when you're asleep...
而且我可以教给你,这样即使你在睡觉时,
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  C: Y& {% ~  J% z" D) G...your defense is never down.
" m7 t, O3 ?3 f! v) [, G& R你的防御也不会放松
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Look, if you want my help, you're gonna
4 u% x# b( H- P: H0 j# T. ^have to be completely open with me.
5 o" R$ Q% v( C! G3 T. e: C4 a, }; P但如果你需要我的帮助,你就要完全对我敞开
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' T" n1 V' ]2 O, ?0 B$ u$ ?, II need to know my way around
your thoughts better than your wife...
我需要比你的妻子都了解你

...better than your therapist,
better than anyone.
比你的心理医生,比任何人都要.
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If this is a dream,
3 j! p1 Z8 |' t: J3 `, W! O8 mand you have a safe full of secrets...
% r8 N6 y/ }! i" Q" h  [8 u如果这就是一个梦,而你有一个装着秘密的保险箱

. t6 a. T- t0 f/ y3 M& M- D...I need to know what's in that safe.
: K: \' b& o1 T8 _我要知道在其中放着什么
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In order for this all to work,
( A! o9 V- H0 [1 Z7 }7 |$ `you need to completely let me in.
) o3 |0 \6 m" A) o) M6 o% {为了让我了解这些,你要完全接纳我
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7 |) H  C$ v, ?- |( C- {+ JEnjoy your evening, gentlemen,
as I consider your proposal.
7 z0 p; {- w& X& l$ x, c愿你们晚间快乐,先生们.我会考虑你们的建议.

He knows.
他知道了.

What's going on up there?         Cobb开始执行任务,射杀defence
那里有什么事吗?

) U3 f! z. {! i" o% zSaito knows. He's playing with us.
2 E  N! x, X4 u5 p+ Z) @Saito知道了,他在和我们躲猫猫
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" y- z1 J; o" G9 m6 t& ODoesn't matter. I can get it here.
Trust me.
& u* m7 o, H* {$ g% v$ ]" M. O没关系,我可以拿到,相信我.
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The information is in the safe.
1 s% L0 c& o/ f, l+ M信息就在保险箱里

$ J; X; i2 r0 b* v) FHe looked right at it
when I mentioned secrets.
当我提到时他看了那儿一眼.

: n" [& G; X3 {7 g3 T6 ~What's she doing here?     (她本不应该在那儿的)
她在那里做什么.

0 X$ z% a: e; _2 ^* u8 |6 M6 P0 z( B, aJust head back to the room.
All right? I'll take care of this.
你只要回屋子去,好吗,我来处理这里(Cobb有些尴尬)

0 M  t' K4 x; E' C# [* d; {Okay, make sure you do.
/ d4 D7 s' T) e( H. l5 _+ q/ NWe're here to work.
$ o1 M0 `( |; C! t1 E; F5 K8 N6 C好吧,希望如你所说.我们在这里是来工作的.
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5 [( R* G/ i  u河边Cobb与Mal的对话
If I jumped, would I survive?
如果我跳下去,我还能活着吗?
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With a clean dive, perhaps.
- A! K. U1 o- R9 S$ k9 W或许能保命.
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Mal, what are you doing here?
% Y, F% B" l5 [: v* ?Mal,你在这儿说啥

I thought you might be missing me.
( h- P8 f! T7 c' K我想你可能回想念我

COBB:
" [* g" O; o2 zYou know that I am.
8 ]4 F( c/ F5 C4 d" Z( Q7 o+ ?+ ~你知道我的确是
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# @! _* Q3 h. q: N4 n* G+ E7 z! m/ oBut I can't trust you anymore.
! d' r, f9 ^) U* [2 o- ]但是我已经不能相信你了.
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- _# `6 C4 i- _, \, S! |/ nSo what?
) b3 z- p( Q% }9 Y% R! n& ~那又怎么样
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6 O# n! R, Y, Z  _9 ]MAL:
$ x/ |  {2 d. yLooks like Arthur's taste.
. G) ~1 q1 A5 t/ r; f) M7 b看起来像阿瑟的口味
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/ \) q( H, t! |# S& L4 f( GActually, the subject is partial
) f$ O* o2 m2 j9 v6 gto postwar British painters.
/ _5 x% @. B' A/ X8 ?% P' A实际上,目标对象偏爱战前英国画家.??????????

) M; f8 n3 S# S9 K0 _Please, have a seat.
请坐

MAL:
Tell me...
* [& G' N+ V( G* Z告诉我

...do the children miss me?
孩子们想我吗?
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You can't imagine.
- f2 _8 ]- E: s5 v! d你无法想象
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What are you doing?
你在做什么?

Just getting some fresh air.
只是呼吸些新鲜空气

Stay where you are, Mal.
就站在那儿,Mal

' t: j4 U. [0 [: P7 K: x* z( L: RGoddamn it.

SAITO:
Turn around.
Saito说,转过身来

( q2 L' n# N* D+ ?3 X1 nThe gun, Dom.
# u# B# S' }- h8 }* }: |, l把枪交过来,Dom

Please.
快
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9 n/ _- j1 I: }2 ^" j3 Z" zNow the envelope, Mr. Cobb.
6 ^9 g2 o, H5 b0 f% ^& K1 H8 Z+ }然后是信封,Cobb
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Did she tell you?
Or have you known all along?
是她告诉你的?还是你一直就知道?
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That you're here to steal from me,
& L5 w3 v0 d' C: p1 }or that we are actually asleep?
你是来偷东西的,还是我们实际在梦里?

I want to know the name
  I. d/ U+ X* c5 Q. x* rof your employer.
' k, b2 S! [( L5 ?, E, L我想知道你的雇主
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  v" ]. V3 q' ]  s$ Y# o8 u8 @Ah, there's no use threatening him
1 k% L3 R% W  ~/ _/ B# \in a dream, right, Mal?
Mal,在梦里威胁他,没有用,对吗?
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; a/ X& a: S6 o# J5 G, F0 ~That depends
6 U* @- ~0 t2 |on what you're threatening.
那要看你怎么威胁

; L: v4 s( X. A5 D' n& G$ w) l( SKilling him would just wake him up.
杀了他只会让他醒来

But pain...
$ ?! R. M4 t& z" Y但是疼痛
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4 Q3 E- ~8 U, ?4 }' G5 xPain is in the mind.
( x, ?; |, D* R& ~0 f疼痛是在意识中的

And judging by the decor,
( M4 n% A  B9 x2 @% bwe're in your mind, aren't we, Arthur?
从装饰风格看,我们在阿瑟的意识中,是不是?

" n3 N' ]6 q0 x) j4 V- What are you doing? It's too soon.
4 O7 D% P, U( v- But the dream's collapsing.
4 b$ ^- v. D& h5 [0 l-你要干啥?这笔预计的快
-但是梦已经在坍塌了

: h8 f6 N, `; I  LI'm gonna try to keep Saito under
a little bit longer. We're almost there.
我会试着拖住Saito再一会儿.我们已经快达到目的了.

% G9 A* W: I3 p+ v% E% RHe was close. Very close.
他已经很接近了,很接近了.
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Stop him!
- g2 a0 E$ X- h* F2 q阻止他

This isn't gonna work. Wake him up.
, l& K( H* @4 t$ d7 y9 G5 K* y, D这样不行的,快把他弄醒
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' m: a+ X0 ?) b( U0 oHe won't wake.    指Cobb
; Z1 I; r; L: i; h* p  J8 q: H" i他醒不过来
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* b/ f- L3 P' Y% l; |. C  e6 f7 |; K% Z- Give him the kick.
NASH: What?
3 p# n6 L' |/ a-把他强行踢出
Nash:什么?
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) i$ G7 O. o" t8 }8 x6 _Dunk him.
把他推到水池中

COBB:
% G0 `+ h- R$ l; T+ JHe's out.
" u1 g4 i( C4 t3 O: ZCobb:他已经醒来了
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3 h8 m1 I! Y' ~1 `0 ^# `, P  w* cYou came prepared, hmm?
看来你早有准备,hmm?
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( F% l; R( b: u- w. v$ JNot even my head of security knows
this apartment. How did you find it?
) y0 y2 o$ j* P9 a4 [5 O% i就连我脑中的守卫都不知道这个公寓,你们怎么找到这里的?

) H- |* K% W8 e2 V4 p& mIt's difficult for a man of your position
to keep a love nest like this secret...
像你这样位置的人,很难对一个爱巢长时间完全保密

) Z; R2 M0 [/ ?3 X, U...particularly where there's
) m/ a- E8 e) _; x! pa married woman involved.
尤其是有个已婚女人涉及在内
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  r# @2 I  Q2 F) P. B) X& g! s- She would never...
- Yet here we are.
  C4 Q6 l$ _3 O7 x-她应该不会...
" i* A* M2 m) G" L8 \$ l5 s9 b-但我们在这里.
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: c1 W: p0 m0 C  p3 y9 {. b- With a dilemma.
' d# n4 D' X" c6 g* D4 i; h- They're getting closer.
-有点戏剧性
* K8 P% p( f; X/ W, ^-他们越来越接近了     指狂奔而来的暴徒们
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- You got what you came for.
- m) n$ B& H+ z* NCOBB: Well, that's not true.
-你已经得到你想要的
0 J$ U' O* c5 |" n" ]0 lCobb: 实际上,不完全正确
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You left out a key piece of information,
- \8 O* a( G/ R7 A$ w( ididn't you?
+ q. r! i2 Y4 C) E你留下了一小片关键信息,
是不是?

You held something back
because you knew what we were up to.
你有所保留,因为你知道我们是为什么而来的
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- Question is, why'd you let us in at all?
- An audition.
5 G& `" I3 T! a, j2 z& p-问题是,你为什么会最终让我们进来?
-有音乐

- N1 k, d; y' U) O- s. l# g8 T- An audition for what?
/ V4 W$ s+ x4 q9 G4 S% C- Doesn't matter. You failed.
& }7 g& l7 y# b# d8 L-什么音乐?
$ Z$ n4 e4 X7 u8 I* v7 H$ R-跟你没关系,你失败了.
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