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谋杀的艺术2汉化小组成立兼招募

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谋杀的艺术2汉化小组成立兼招募

51#
发表于 2010-1-20 15:22 | 只看该作者
我的部分在1月30日前翻译完。
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52#
发表于 2010-1-20 23:58 | 只看该作者
我的那部分除了一些西班牙的作者和对应的书名没有翻译,剩下的都完了。
1 x- W. @, H" M& l' f我恨西班牙 [s:44]
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53#
发表于 2010-1-21 13:41 | 只看该作者
LS是我 [s:60]
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54#
发表于 2010-1-21 13:43 | 只看该作者
LS拜托了,我这里就有一句,关于那本书的。
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55#
发表于 2010-1-21 13:46 | 只看该作者
我这里也只有一句,很有名的书,我就直接翻译了,追忆逝水年华(À la recherche du temps perdu)
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56#
发表于 2010-1-21 13:47 | 只看该作者
麻烦翻译完成的发给我,我来汇总,就发在这就行,加上密码,密码pm我
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57#
发表于 2010-1-21 14:00 | 只看该作者
引用第51楼598088146于2010-01-20 23:58发表的  :  G2 U& D2 @  q1 C) m/ ?$ e
我的那部分除了一些西班牙的作者和对应的书名没有翻译,剩下的都完了。- |# Z- \  P5 g$ D
我恨西班牙 [s:44]
指的是这些吗( M6 |. E$ E8 \. h2 h- A; c
sub_e_L02_02_0037    Moliere "L'Avare ou l'École du mensonge"
/ `. e- Z, \0 x0 E/ L' x1 Ssub_e_L02_02_0038    Honore de Balzac "Le Père Goriot"  
; B- }2 K. o1 H; H9 W* I. Ksub_e_L02_02_0039    Homer "Odyssey"   / a8 b8 @* d$ Q3 E
sub_e_L02_02_0040    Franz Kafka "Das Urteil"    % d# v! g  n: x" m6 e+ \! n& E
sub_e_L02_02_0041    Charles Dickens "David Copperfield"       . z: L, r+ S4 C8 y7 C3 ~
sub_e_L02_02_0042    Herman Melville "Moby Dick"; O0 O# @  J' Z, u* m# q
sub_e_L02_02_0043    Samuel Becket "Waiting for Godot"
/ G6 B0 ^* z& I- N% }sub_e_L02_02_0044    Emil Zola "Germinal"
; \5 f, `" P  _# O0 tsub_e_L02_02_0045    Torquato Tasso "Gerusalemme liberata"% _# Y; L( N- N  l  {
sub_e_L02_02_0046    J. R. R. Tolkien "Lord of the Rings. Fellowship of the Ring.": W) q9 Y; b7 W* J# C$ E
sub_e_L02_02_0047    J. R. R. Tolkien "Lord of the Rings. The Two Towers."
9 ]2 G$ P- q# g$ ?6 r, ]9 jsub_e_L02_02_0048    J. R. R. Tolkien "Lord of the Rings. Return of the King."
- A" T; R) {, g" q0 j' `' ^sub_e_L02_02_0049    Jules Verne "Le tour du monde en quatre-vingts jours", O5 u! {" i9 I4 g4 H
sub_e_L02_02_0050    Jules Verne "Les Enfants du capitaine Grant"  儒尔·凡尔纳  格兰特船长的儿女
7 v/ l+ e! S+ t0 Tsub_e_L02_02_0051    Sophocles "Antigone"
! }# {% Q  [4 \sub_e_L02_02_0052    Stendhal "Le Rouge et le Noir"
) z' w) A9 [$ t0 E6 Msub_e_L02_02_0053    Leo Tolstoy "Anna Karenina"6 J- {. c8 S! R( |
sub_e_L02_02_0054    Leo Tolstoy "War and Peace"4 }2 z5 K  T' K9 D* A; s9 H
sub_e_L02_02_0055    Fyodor Dostoyevsky "The Possessed"9 S- b+ X9 k7 U  _; G* [
sub_e_L02_02_0056    Fyodor Dostoyevsky "The Brothers Karamazov"
7 d  X. P. d0 b- Z$ V( \sub_e_L02_02_0057    Sophocles "Antigone"
! }, J, N% N0 s7 ^sub_e_L02_02_0058    William Shakespeare "Hamlet"
& m% ^& K1 `2 K6 h$ asub_e_L02_02_0059    William Shakespeare "Romeo and Juliet"! f$ G7 {8 e$ [/ \
sub_e_L02_02_0060    William Shakespeare "Macbeth"1 f& X& \8 g7 k) w1 f; s9 Z% G, {
sub_e_L02_02_0061    Miguel de Cervantes Saavedra "Don Quixote"5 f' u5 l1 d, f* Z
sub_e_L02_02_0062    Nikolai Gogol "Dead Souls". a" s( l$ _8 X6 l, m# Y7 v* ~& f
sub_e_L02_02_0063    Marcel Proust "À la recherche du temps perdu"* F* e$ v+ h! H! U
sub_e_L02_02_0064    Jaroslav Hašek "The Good Soldier Švejk"
5 ]% l& o, k( S3 R0 Y: [sub_e_L02_02_0065    Emily Brontë "Wuthering Heights"
# c, O/ ^4 O3 _% k) `sub_e_L02_02_0066    Charles Dickens "The Pickwick Papers"8 `( y# s% F! `8 e
sub_e_L02_02_0067    François Rabelais "La vie de Gargantua et de Pantagruel"
" }; i/ Z- g. usub_e_L02_02_0068    William Blake "Poems", j. X7 O2 \6 t4 D! |& u4 ^5 k" P
sub_e_L02_02_0069    Ovid "Transformations"
8 \! w) M9 G2 P. f/ Osub_e_L02_02_0070    Homer "Iliad"
% w! L/ i9 U, u# d* Msub_e_L02_02_0071    Molière "Don Juan") d) u) w( a( [  b! R) U
sub_e_L02_02_0072    Charles Dickens "Oliver Twist"5 u& Z5 P; Z) b  G8 a- B, q
sub_e_L02_02_0073    Voltaire "Candide"4 Q( N7 t7 k6 R6 `4 Q) l$ x
sub_e_L02_02_0074    John Milton "Paradise Lost"/ ~6 A8 Y1 p: x1 p
sub_e_L02_02_0075    Joshep Conrad "Lord Jim"
9 H7 @/ h! J& K# _sub_e_L02_02_0076    Giovanni Boccaccio "Decameron"6 T3 J( S; k5 H3 S0 M( G4 J# W" y) O
sub_e_L02_02_0077    J. D. Salinger "The Catcher in the Rye"
' x  r: C; l. J; osub_e_L02_02_0078    Karl May "Winnetou") B+ o! E& B, C$ [  Q
sub_e_L02_02_0079    Jules Verne "Robur-le-Conquérant"
3 J& y0 w+ i5 c" z1 ^! d/ d3 zsub_e_L02_02_0080    Jules Verne "Maître du monde"
! \( C/ Y/ P0 n2 Tsub_e_L02_02_0081    William Shakespeare "King Lear"/ N: T. ^" i: D3 y% k
sub_e_L02_02_0082    William Shakespeare "Otello"
! v' r0 y9 U3 b5 q& ?6 o; Dsub_e_L02_02_0083    William Shakespeare "Taming of the Shrew", o  D, M, q$ t2 ?$ L: s3 W
sub_e_L02_02_0084    William Shakespeare "The Phoenix and the Turtle"/ k# x: Y. c  {
sub_e_L02_02_0085    Jack London "White Fang"4 Z7 J: d# W8 a$ @1 f
sub_e_L02_02_0086    Jack London "The Call of the Wild"& n* [+ f9 w2 S6 b, x) J* G
sub_e_L02_02_0087    Jack London "The Game"- f* F# n2 N( J; c: m" y9 C7 J
sub_e_L02_02_0088    William Wharton "Birdy"
: d7 u4 q( I) esub_e_L02_02_0089    William Wharton "Dad": j  ]( [. g' }0 P! |2 w( U9 i
sub_e_L02_02_0090    William Wharton "A Midnight Clear"
0 l: P; v: F. e! P7 w( x5 C* D, j8 A4 Fsub_e_L02_02_0091    Paulo Coelho "The Alchemist"7 i9 ]; V/ s( t0 s( K
sub_e_L02_02_0092    Paulo Coelho "The Pilgrimage"; K3 Y. l+ ~2 @' p/ d9 s
sub_e_L02_02_0093    Paulo Coelho "The Fifth Mountain"
( A/ k, h3 K$ A' j3 O5 lsub_e_L02_02_0094    Paulo Coelho "Eleven Minutes"
' b! Z" M% S$ P! v3 V$ u7 Isub_e_L02_02_0095    Paulo Coelho "The Zahir"+ j/ [; G/ L0 `* `; |
sub_e_L02_02_0096    Marion Zimmer Bradley "The Mists of Avalon"$ ]3 s  g$ H% _2 U
sub_e_L02_02_0097    Vicente Aleixandre "Passion of the Earth"& W  ?+ T! W0 a& B9 ^  \
sub_e_L02_02_0098    Vicente Aleixandre "Shadow of Paradise"- S9 g# _* B+ I1 U% e! B1 ^
sub_e_L02_02_0099    Fernando Arrabal "Porté disparu"
. r4 [. R( q# t+ V3 T) zsub_e_L02_02_0100    Fernando Arrabal "Baal Babylone"
" q, X' _! o+ l+ T! K& U6 Ssub_e_L02_02_0101    Pio Baroja "Tierra vasca"
# l. d2 n7 z. K1 C0 Ysub_e_L02_02_0102    Pio Baroja "La raza"6 M9 d( L9 e" v# ^
sub_e_L02_02_0103    Miguel Delibes "Las ratas"
6 [/ d2 o. C1 |2 C6 P' K) k, C+ osub_e_L02_02_0104    Miguel Delibes"Cinco horas con Mario"
4 n/ M" U- N  R+ m/ U8 jsub_e_L02_02_0105    Baltasar Gracián "Criticon"
, ^$ D- C3 N  ?8 B/ v* qsub_e_L02_02_0106    Baltasar Gracián "El heroe"1 U- N7 p9 R4 X* n# Q, U8 k
sub_e_L02_02_0107    Juan Carlos Arce "Para seguir quemando preguntas"
- ?8 W4 q+ h5 D; x5 A; D4 x. bsub_e_L02_02_0108    Juan Carlos Arce "Los colores de la guerra"7 f2 h: @# R5 v+ e. e1 O5 S7 M' |
sub_e_L02_02_0109    Juan Marsé "Un dia volvere"' i: H8 `5 E9 Q, q) H  r3 N# p
sub_e_L02_02_0110    Juan Marsé "Rabos de lagartija": L1 `- }" `, M. Z& F
sub_e_L02_02_0111    Javier Marias "Corazon tan blanco" # y0 g, `1 N" M+ M+ h3 C: d
sub_e_L02_02_0112    Javier Marias "Todas las almas"  p1 v. [6 O7 b7 Z" D
sub_e_L02_02_0113    Eduardo Mendoza "Una comedia ligera"( j' z) A; k/ P9 g  L3 P
sub_e_L02_02_0114    Eduardo Mendoza "El ano del diluvio"9 G' F* A$ T' t' k, z  Q0 r
sub_e_L02_02_0115    Gabriel Miró "Nomada"
1 a6 M; u/ B0 E. X" O4 Xsub_e_L02_02_0116    Gabriel Miró "La palma rota"2 c$ y; n% X0 [9 \4 r7 ?0 c0 y
sub_e_L02_02_0117    Julia Navarro "La Biblia de Barro"
: K) x3 p+ g7 z" \sub_e_L02_02_0118    Julia Navarro "La Sangre de los Inocentes"$ y5 s+ K' B1 R& o2 l! D, o1 W* |5 [
sub_e_L02_02_0119    Julia Navaarro "La Hermandad de la Sabana Santa", S! r0 b- s( h+ D* u8 O# k- e# j) D
sub_e_L02_02_0120    Manuel Rivas "O lapis do carpinteiro"
: k( X! C& l. ~* wsub_e_L02_02_0121    Gabriel Miró "Nomada"
7 m( |# Z5 Y0 \$ x) P9 X! h2 \sub_e_L02_02_0122    Gabriel Miró "La palma rota"
# d0 @1 J4 P2 [# P; ssub_e_L02_02_0123    Jorge Semprún "Le Grand Voyage"
0 `, ]! c5 @* Msub_e_L02_02_0124    Jorge Semprún " Quel beau dimanche!"
* }: \/ w- ?0 j  v- N. g6 |sub_e_L02_02_0125    Javier Sierra "La Dama Azul"( m, r" ?9 q4 k9 f& f# w! k
sub_e_L02_02_0126    Javier Sierra "La Cena Secreta"
2 ~2 c- i+ T, i- C' x% A# N% [2 ^sub_e_L02_02_0127    Francisco Umbral "Mortal y rosa"
$ b- W/ l! I7 Esub_e_L02_02_0128    Francisco Umbral " Trilogia de Madrid"
9 H+ i) h: I, z) i( Ssub_e_L02_02_0129    Gonzalo Torrente Ballester "Los gozos y las sombras"$ q- O" m: [: w5 `- l, _
sub_e_L02_02_0130    Gonzalo Torrente Ballester " Ifigenia"- @5 F- C$ l, q1 J# z  i) U  J
sub_e_L02_02_0131    Arturo Pérez-Reverte "El capitan Altariste"1 O/ V! t6 g3 M" t* A4 Q( A# h
sub_e_L02_02_0132    Arturo Pérez-Reverte "El husar"
. k0 ]- S# ]% K6 O. Q1 I- j* V- osub_e_L02_02_0133    Arturo Pérez-Reverte "El oro del rey"( M  @' f* S2 t# K. M5 k
sub_e_L02_02_0134    Julio Llamazares "Luna de lobos"9 J. @9 b0 v' q9 J2 Y) y7 b
sub_e_L02_02_0135    Julio Llamazares "El rio del olvido"8 S; p/ F1 J  J# R
sub_e_L02_02_0136    Julio Llamazares "El cielo de Madrid"+ s* D, Q7 ^9 V# f, g  M
sub_e_L02_02_0137    Thomas Mann "The Magic Mountain"
$ e1 F% f, X4 Q; _. ?* Y; L% A+ Q3 I  [5 B; _# e* `
都是名著啊
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58#
发表于 2010-1-21 14:14 | 只看该作者
帮你翻译了几句,你看看! j* f2 V: W2 f. P# ]
sub_e_L02_02_0037    Moliere "L'Avare ou l'École du mensonge"   莫里哀  吝啬鬼
) b, s1 U" }* [3 nsub_e_L02_02_0038    Honore de Balzac "Le Père Goriot"  奥诺雷·德·巴尔扎克   高老头, H/ j5 U! }# a( W+ m; o
sub_e_L02_02_0039    Homer "Odyssey"   荷马史诗  奥德赛* r" C1 E& O2 x( Z) {# r% n
sub_e_L02_02_0040    Franz Kafka "Das Urteil"    弗朗茨·卡夫卡  判决
- H) u$ ^) i' tsub_e_L02_02_0041    Charles Dickens "David Copperfield"       查尔斯·狄更斯   大卫 科波菲尔# ?. J4 [9 d$ {6 n2 }7 k
sub_e_L02_02_0042    Herman Melville "Moby Dick"  赫尔曼·麦尔维尔  白鲸记. K  H, K2 l; X: B  r6 B% C& y" ~
sub_e_L02_02_0043    Samuel Becket "Waiting for Godot"  塞缪尔·贝克特  等待戈多! }) j6 m2 M9 z/ F( J$ k
sub_e_L02_02_0044    Emil Zola "Germinal"  埃米尔.左拉  萌芽& q: L, T, @6 Q- W. |
sub_e_L02_02_0045    Torquato Tasso "Gerusalemme liberata"  托尔夸多·塔索   耶路撒冷的解放0 l% H6 [' B4 r% o' z; p
sub_e_L02_02_0046    J. R. R. Tolkien "Lord of the Rings. Fellowship of the Ring."  托尔金   指环王之魔戒再现, S7 F) n& l# h( R
sub_e_L02_02_0047    J. R. R. Tolkien "Lord of the Rings. The Two Towers."   托尔金  指环王之双塔奇谋4 ]+ N$ w! K. N7 W! l; P
sub_e_L02_02_0048    J. R. R. Tolkien "Lord of the Rings. Return of the King."   托尔金  指环王之王者归来
4 W; S& o& s: j6 G  gsub_e_L02_02_0049    Jules Verne "Le tour du monde en quatre-vingts jours"    儒尔·凡尔纳   八十天环游地球
; m( L4 q8 U7 y3 R' H2 X- `sub_e_L02_02_0050    Jules Verne "Les Enfants du capitaine Grant"  儒尔·凡尔纳  格兰特船长的儿女
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59#
发表于 2010-1-21 15:41 | 只看该作者
引用第57楼worldcup12于2010-01-21 14:14发表的  :6 d7 n0 c3 R3 N& s! P
帮你翻译了几句,你看看
; K7 p  G: A0 A3 Tsub_e_L02_02_0037    Moliere "L'Avare ou l'École du mensonge"   莫里哀  吝啬鬼1 Z7 c0 {2 ]  ~/ V
sub_e_L02_02_0038    Honore de Balzac "Le Père Goriot"  奥诺雷·德·巴尔扎克   高老头9 u( j$ Q# T4 R3 J. f
sub_e_L02_02_0039    Homer "Odyssey"   荷马史诗  奥德赛
0 W& o/ r1 y, X- J- m" h- dsub_e_L02_02_0040    Franz Kafka "Das Urteil"    弗朗茨·卡夫卡  判决
. o4 z' ^0 z$ g$ d& q.......
8 ~) n  S  u- m( U+ X" J& D
sub_e_L02_02_0101    Pio Baroja "Tierra vasca"
" p. ]9 H$ f+ s- s& |sub_e_L02_02_0102    Pio Baroja "La raza"$ _" b  [" |( \+ e; Q
sub_e_L02_02_0103    Miguel Delibes "Las ratas"
! I; Q) n7 d) s& fsub_e_L02_02_0104    Miguel Delibes"Cinco horas con Mario"$ o1 P4 w4 w0 B/ \
sub_e_L02_02_0105    Baltasar Gracián "Criticon"
9 e' G2 C9 w0 e* L/ Jsub_e_L02_02_0106    Baltasar Gracián "El heroe"% z) C. P, y9 Q- n
sub_e_L02_02_0107    Juan Carlos Arce "Para seguir quemando preguntas"; x# J$ f1 |$ L' l5 d
sub_e_L02_02_0108    Juan Carlos Arce "Los colores de la guerra". x6 ~& d4 B, E% }. ^* S, H
sub_e_L02_02_0109    Juan Marsé "Un dia volvere"
6 p; U  r* M1 K* D+ q* Qsub_e_L02_02_0110    Juan Marsé "Rabos de lagartija"( e% T! ?# K5 L6 S6 B7 N( O
sub_e_L02_02_0111    Javier Marias "Corazon tan blanco" . {' D0 v, X3 N
sub_e_L02_02_0112    Javier Marias "Todas las almas"+ D, Z& A5 R9 H
sub_e_L02_02_0113    Eduardo Mendoza "Una comedia ligera"9 }+ W& x8 j6 c/ u. p* i$ M
sub_e_L02_02_0114    Eduardo Mendoza "El ano del diluvio"
  u" \' K$ @1 l8 r5 ]sub_e_L02_02_0115    Gabriel Miró "Nomada"
( t2 d$ I( K7 w7 A6 |sub_e_L02_02_0116    Gabriel Miró "La palma rota") f; _2 }+ k( L1 O6 Q0 U
sub_e_L02_02_0117    Julia Navarro "La Biblia de Barro"
. ?" f! n! f+ _2 [' p) z+ tsub_e_L02_02_0118    Julia Navarro "La Sangre de los Inocentes": F6 e2 i% U1 `! A! P
sub_e_L02_02_0119    Julia Navaarro "La Hermandad de la Sabana Santa"
: l$ c/ K9 d1 \, osub_e_L02_02_0120    Manuel Rivas "O lapis do carpinteiro", Y* i' r: H7 s4 L
sub_e_L02_02_0121    Gabriel Miró "Nomada"0 p* H/ }! x3 U  N" _& X; d
sub_e_L02_02_0122    Gabriel Miró "La palma rota", L$ ]; t" m7 {! H
sub_e_L02_02_0123    Jorge Semprún "Le Grand Voyage"
7 j7 g9 y; U( Csub_e_L02_02_0124    Jorge Semprún " Quel beau dimanche!"
: x; w+ [8 p6 f0 Psub_e_L02_02_0125    Javier Sierra "La Dama Azul"
. j8 ^( I0 a! U8 T* ?+ x/ q7 fsub_e_L02_02_0126    Javier Sierra "La Cena Secreta"# k1 H* O7 @* N# I/ E
sub_e_L02_02_0127    Francisco Umbral "Mortal y rosa"
  D# p' q4 p" f2 X  e- n1 isub_e_L02_02_0128    Francisco Umbral " Trilogia de Madrid"
. f* O1 ?: d7 E& ]9 [sub_e_L02_02_0129    Gonzalo Torrente Ballester "Los gozos y las sombras"
4 C3 L7 v- c# q( B. `9 ~sub_e_L02_02_0130    Gonzalo Torrente Ballester " Ifigenia"- U0 C. G, t, h2 a& E& @6 @
sub_e_L02_02_0131    Arturo Pérez-Reverte "El capitan Altariste"% b3 g2 x; l3 f
sub_e_L02_02_0132    Arturo Pérez-Reverte "El husar"
6 b  m. }4 I9 ^# P* Y" ?6 M9 A+ ]/ Osub_e_L02_02_0133    Arturo Pérez-Reverte "El oro del rey"
/ A2 q% J9 [9 y1 E" {# ~# lsub_e_L02_02_0134    Julio Llamazares "Luna de lobos"
) [6 h+ y  r" f4 xsub_e_L02_02_0135    Julio Llamazares "El rio del olvido"6 y$ w1 ?* U& E! p$ ~! X! Y/ Y! `$ t% j
sub_e_L02_02_0136    Julio Llamazares "El cielo de Madrid"+ {2 @( a& g* ?% F' ]: v1 Z
其实是这部分翻译不出来[s:44]
' o+ q( l, g  Y4 z8 [; v( A$ E1 L顺便附上我翻译好的那部分

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60#
发表于 2010-1-21 17:53 | 只看该作者
引用第58楼修普诺斯于2010-01-21 15:41发表的  :8 T; I/ w" Y& z4 k8 X
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sub_e_L02_02_0101    Pio Baroja "Tierra vasca"5 @; }0 P2 f7 ^7 P0 r. S# G
sub_e_L02_02_0102    Pio Baroja "La raza"
3 j9 t# j2 T' M' p1 l7 a. e7 R; rsub_e_L02_02_0103    Miguel Delibes "Las ratas"8 v! ]% \% ~7 \4 L: O
.......
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这些是不好翻译,不过也都算是西班牙的名作家,我翻译了一些,你看看
! Q0 ?4 z7 @* h1 ^* ^5 dsub_e_L02_02_0101    Pio Baroja "Tierra vasca" 皮奥·巴罗哈 巴斯克城
" N2 p& _/ f/ U$ j: a$ C: Wsub_e_L02_02_0102    Pio Baroja "La raza" 皮奥·巴罗哈  竞赛
+ C! ^+ K, K( u6 n$ ^  O1 Zsub_e_L02_02_0103    Miguel Delibes "Las ratas"  米格·戴利贝斯  老鼠
, j& G# M. ?' t1 Ysub_e_L02_02_0104    Miguel Delibes"Cinco horas con Mario"  米格·戴利贝斯 守灵五时
# F/ q1 M+ H" O1 J. p+ O* esub_e_L02_02_0105    Baltasar Gracián "Criticon"  巴尔塔萨·格拉西安  批评家
$ R6 h! s3 B8 a& w( esub_e_L02_02_0106    Baltasar Gracián "El heroe" 巴尔塔萨·格拉西安  英雄- F* g1 W" P5 k6 Y" J  w' v8 H
sub_e_L02_02_0107    Juan Carlos Arce "Para seguir quemando preguntas" 胡安·卡洛斯·阿尔塞  为了继续点火者的问题
& t9 G5 T4 Q# \9 U. B% Bsub_e_L02_02_0108    Juan Carlos Arce "Los colores de la guerra"  胡安·卡洛斯·阿尔塞  战争的颜色3 }2 T# \% @6 b. T  a
sub_e_L02_02_0109    Juan Marsé "Un dia volvere"  胡安·马尔塞 总有一天回来
5 [% v6 \- c5 {% x* Lsub_e_L02_02_0110    Juan Marsé "Rabos de lagartija"   胡安·马尔塞  蜥蜴尾
8 A+ g* f3 g& n- V4 u  [sub_e_L02_02_0111    Javier Marias "Corazon tan blanco" 哈维尔·马里亚斯  如此苍白的心
8 g2 u! }* Y# g# v# W) x7 g' dsub_e_L02_02_0112    Javier Marias "Todas las almas"  哈维尔·马里亚斯  灵魂之歌* G; s6 W" X7 o( q
sub_e_L02_02_0113    Eduardo Mendoza "Una comedia ligera" 爱德华多·门多萨  轻喜剧9 X$ T% M2 |+ S9 [0 C- J
sub_e_L02_02_0114    Eduardo Mendoza "El ano del diluvio"  爱德华多·门多萨 洪水之年$ V  ]3 y# \1 O
sub_e_L02_02_0115    Gabriel Miró "Nomada"   加布里埃尔·米罗  努马达5 `5 T) {6 G. {* {- Q
sub_e_L02_02_0116    Gabriel Miró "La palma rota"  加布里埃尔·米罗 棕榈藤
# n2 p, g% X, [! A/ j: csub_e_L02_02_0117    Julia Navarro "La Biblia de Barro"  朱莉娅·纳瓦罗 泥土的圣经, m9 H; s' g0 `5 p! c. J
sub_e_L02_02_0118    Julia Navarro "La Sangre de los Inocentes"  朱莉娅·纳瓦罗  无辜者的血
: X0 F9 T  [$ L5 G. Ksub_e_L02_02_0119    Julia Navaarro "La Hermandad de la Sabana Santa"  朱莉娅·纳瓦罗  
, z2 l, m0 t3 Isub_e_L02_02_0120    Manuel Rivas "O lapis do carpinteiro" 马尼埃尔·里瓦斯  : ]! G' G5 X5 T% F8 @
sub_e_L02_02_0121    Gabriel Miró "Nomada"  加布里埃尔·米罗  努马达$ y+ L. I# c6 T0 Q+ T1 R* d: e
sub_e_L02_02_0122    Gabriel Miró "La palma rota"  加布里埃尔·米罗 棕榈藤
& c2 d8 k2 V, F" T4 H  bsub_e_L02_02_0123    Jorge Semprún "Le Grand Voyage"   乔治·森普伦 老爸的朝圣之旅# t; x; O; q: D9 P' }
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里面有一些是确有其书名,有一些只是自己随便翻得,供你借鉴
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