引用第51楼598088146于2010-01-20 23:58发表的 : G2 U& D2 @ q1 C) m/ ?$ e
我的那部分除了一些西班牙的作者和对应的书名没有翻译,剩下的都完了。- |# Z- \ P5 g$ D
我恨西班牙 [s:44] 指的是这些吗( M6 |. E$ E8 \. h2 h- A; c
sub_e_L02_02_0037 Moliere "L'Avare ou l'École du mensonge"
/ `. e- Z, \0 x0 E/ L' x1 Ssub_e_L02_02_0038 Honore de Balzac "Le Père Goriot"
; B- }2 K. o1 H; H9 W* I. Ksub_e_L02_02_0039 Homer "Odyssey" / a8 b8 @* d$ Q3 E
sub_e_L02_02_0040 Franz Kafka "Das Urteil" % d# v! g n: x" m6 e+ \! n& E
sub_e_L02_02_0041 Charles Dickens "David Copperfield" . z: L, r+ S4 C8 y7 C3 ~
sub_e_L02_02_0042 Herman Melville "Moby Dick"; O0 O# @ J' Z, u* m# q
sub_e_L02_02_0043 Samuel Becket "Waiting for Godot"
/ G6 B0 ^* z& I- N% }sub_e_L02_02_0044 Emil Zola "Germinal"
; \5 f, `" P _# O0 tsub_e_L02_02_0045 Torquato Tasso "Gerusalemme liberata"% _# Y; L( N- N l {
sub_e_L02_02_0046 J. R. R. Tolkien "Lord of the Rings. Fellowship of the Ring.": W) q9 Y; b7 W* J# C$ E
sub_e_L02_02_0047 J. R. R. Tolkien "Lord of the Rings. The Two Towers."
9 ]2 G$ P- q# g$ ?6 r, ]9 jsub_e_L02_02_0048 J. R. R. Tolkien "Lord of the Rings. Return of the King."
- A" T; R) {, g" q0 j' `' ^sub_e_L02_02_0049 Jules Verne "Le tour du monde en quatre-vingts jours", O5 u! {" i9 I4 g4 H
sub_e_L02_02_0050 Jules Verne "Les Enfants du capitaine Grant" 儒尔·凡尔纳 格兰特船长的儿女
7 v/ l+ e! S+ t0 Tsub_e_L02_02_0051 Sophocles "Antigone"
! }# {% Q [4 \sub_e_L02_02_0052 Stendhal "Le Rouge et le Noir"
) z' w) A9 [$ t0 E6 Msub_e_L02_02_0053 Leo Tolstoy "Anna Karenina"6 J- {. c8 S! R( |
sub_e_L02_02_0054 Leo Tolstoy "War and Peace"4 }2 z5 K T' K9 D* A; s9 H
sub_e_L02_02_0055 Fyodor Dostoyevsky "The Possessed"9 S- b+ X9 k7 U _; G* [
sub_e_L02_02_0056 Fyodor Dostoyevsky "The Brothers Karamazov"
7 d X. P. d0 b- Z$ V( \sub_e_L02_02_0057 Sophocles "Antigone"
! }, J, N% N0 s7 ^sub_e_L02_02_0058 William Shakespeare "Hamlet"
& m% ^& K1 `2 K6 h$ asub_e_L02_02_0059 William Shakespeare "Romeo and Juliet"! f$ G7 {8 e$ [/ \
sub_e_L02_02_0060 William Shakespeare "Macbeth"1 f& X& \8 g7 k) w1 f; s9 Z% G, {
sub_e_L02_02_0061 Miguel de Cervantes Saavedra "Don Quixote"5 f' u5 l1 d, f* Z
sub_e_L02_02_0062 Nikolai Gogol "Dead Souls". a" s( l$ _8 X6 l, m# Y7 v* ~& f
sub_e_L02_02_0063 Marcel Proust "À la recherche du temps perdu"* F* e$ v+ h! H! U
sub_e_L02_02_0064 Jaroslav Hašek "The Good Soldier Švejk"
5 ]% l& o, k( S3 R0 Y: [sub_e_L02_02_0065 Emily Brontë "Wuthering Heights"
# c, O/ ^4 O3 _% k) `sub_e_L02_02_0066 Charles Dickens "The Pickwick Papers"8 `( y# s% F! `8 e
sub_e_L02_02_0067 François Rabelais "La vie de Gargantua et de Pantagruel"
" }; i/ Z- g. usub_e_L02_02_0068 William Blake "Poems", j. X7 O2 \6 t4 D! |& u4 ^5 k" P
sub_e_L02_02_0069 Ovid "Transformations"
8 \! w) M9 G2 P. f/ Osub_e_L02_02_0070 Homer "Iliad"
% w! L/ i9 U, u# d* Msub_e_L02_02_0071 Molière "Don Juan") d) u) w( a( [ b! R) U
sub_e_L02_02_0072 Charles Dickens "Oliver Twist"5 u& Z5 P; Z) b G8 a- B, q
sub_e_L02_02_0073 Voltaire "Candide"4 Q( N7 t7 k6 R6 `4 Q) l$ x
sub_e_L02_02_0074 John Milton "Paradise Lost"/ ~6 A8 Y1 p: x1 p
sub_e_L02_02_0075 Joshep Conrad "Lord Jim"
9 H7 @/ h! J& K# _sub_e_L02_02_0076 Giovanni Boccaccio "Decameron"6 T3 J( S; k5 H3 S0 M( G4 J# W" y) O
sub_e_L02_02_0077 J. D. Salinger "The Catcher in the Rye"
' x r: C; l. J; osub_e_L02_02_0078 Karl May "Winnetou") B+ o! E& B, C$ [ Q
sub_e_L02_02_0079 Jules Verne "Robur-le-Conquérant"
3 J& y0 w+ i5 c" z1 ^! d/ d3 zsub_e_L02_02_0080 Jules Verne "Maître du monde"
! \( C/ Y/ P0 n2 Tsub_e_L02_02_0081 William Shakespeare "King Lear"/ N: T. ^" i: D3 y% k
sub_e_L02_02_0082 William Shakespeare "Otello"
! v' r0 y9 U3 b5 q& ?6 o; Dsub_e_L02_02_0083 William Shakespeare "Taming of the Shrew", o D, M, q$ t2 ?$ L: s3 W
sub_e_L02_02_0084 William Shakespeare "The Phoenix and the Turtle"/ k# x: Y. c {
sub_e_L02_02_0085 Jack London "White Fang"4 Z7 J: d# W8 a$ @1 f
sub_e_L02_02_0086 Jack London "The Call of the Wild"& n* [+ f9 w2 S6 b, x) J* G
sub_e_L02_02_0087 Jack London "The Game"- f* F# n2 N( J; c: m" y9 C7 J
sub_e_L02_02_0088 William Wharton "Birdy"
: d7 u4 q( I) esub_e_L02_02_0089 William Wharton "Dad": j ]( [. g' }0 P! |2 w( U9 i
sub_e_L02_02_0090 William Wharton "A Midnight Clear"
0 l: P; v: F. e! P7 w( x5 C* D, j8 A4 Fsub_e_L02_02_0091 Paulo Coelho "The Alchemist"7 i9 ]; V/ s( t0 s( K
sub_e_L02_02_0092 Paulo Coelho "The Pilgrimage"; K3 Y. l+ ~2 @' p/ d9 s
sub_e_L02_02_0093 Paulo Coelho "The Fifth Mountain"
( A/ k, h3 K$ A' j3 O5 lsub_e_L02_02_0094 Paulo Coelho "Eleven Minutes"
' b! Z" M% S$ P! v3 V$ u7 Isub_e_L02_02_0095 Paulo Coelho "The Zahir"+ j/ [; G/ L0 `* `; |
sub_e_L02_02_0096 Marion Zimmer Bradley "The Mists of Avalon"$ ]3 s g$ H% _2 U
sub_e_L02_02_0097 Vicente Aleixandre "Passion of the Earth"& W ?+ T! W0 a& B9 ^ \
sub_e_L02_02_0098 Vicente Aleixandre "Shadow of Paradise"- S9 g# _* B+ I1 U% e! B1 ^
sub_e_L02_02_0099 Fernando Arrabal "Porté disparu"
. r4 [. R( q# t+ V3 T) zsub_e_L02_02_0100 Fernando Arrabal "Baal Babylone"
" q, X' _! o+ l+ T! K& U6 Ssub_e_L02_02_0101 Pio Baroja "Tierra vasca"
# l. d2 n7 z. K1 C0 Ysub_e_L02_02_0102 Pio Baroja "La raza"6 M9 d( L9 e" v# ^
sub_e_L02_02_0103 Miguel Delibes "Las ratas"
6 [/ d2 o. C1 |2 C6 P' K) k, C+ osub_e_L02_02_0104 Miguel Delibes"Cinco horas con Mario"
4 n/ M" U- N R+ m/ U8 jsub_e_L02_02_0105 Baltasar Gracián "Criticon"
, ^$ D- C3 N ?8 B/ v* qsub_e_L02_02_0106 Baltasar Gracián "El heroe"1 U- N7 p9 R4 X* n# Q, U8 k
sub_e_L02_02_0107 Juan Carlos Arce "Para seguir quemando preguntas"
- ?8 W4 q+ h5 D; x5 A; D4 x. bsub_e_L02_02_0108 Juan Carlos Arce "Los colores de la guerra"7 f2 h: @# R5 v+ e. e1 O5 S7 M' |
sub_e_L02_02_0109 Juan Marsé "Un dia volvere"' i: H8 `5 E9 Q, q) H r3 N# p
sub_e_L02_02_0110 Juan Marsé "Rabos de lagartija": L1 `- }" `, M. Z& F
sub_e_L02_02_0111 Javier Marias "Corazon tan blanco" # y0 g, `1 N" M+ M+ h3 C: d
sub_e_L02_02_0112 Javier Marias "Todas las almas" p1 v. [6 O7 b7 Z" D
sub_e_L02_02_0113 Eduardo Mendoza "Una comedia ligera"( j' z) A; k/ P9 g L3 P
sub_e_L02_02_0114 Eduardo Mendoza "El ano del diluvio"9 G' F* A$ T' t' k, z Q0 r
sub_e_L02_02_0115 Gabriel Miró "Nomada"
1 a6 M; u/ B0 E. X" O4 Xsub_e_L02_02_0116 Gabriel Miró "La palma rota"2 c$ y; n% X0 [9 \4 r7 ?0 c0 y
sub_e_L02_02_0117 Julia Navarro "La Biblia de Barro"
: K) x3 p+ g7 z" \sub_e_L02_02_0118 Julia Navarro "La Sangre de los Inocentes"$ y5 s+ K' B1 R& o2 l! D, o1 W* |5 [
sub_e_L02_02_0119 Julia Navaarro "La Hermandad de la Sabana Santa", S! r0 b- s( h+ D* u8 O# k- e# j) D
sub_e_L02_02_0120 Manuel Rivas "O lapis do carpinteiro"
: k( X! C& l. ~* wsub_e_L02_02_0121 Gabriel Miró "Nomada"
7 m( |# Z5 Y0 \$ x) P9 X! h2 \sub_e_L02_02_0122 Gabriel Miró "La palma rota"
# d0 @1 J4 P2 [# P; ssub_e_L02_02_0123 Jorge Semprún "Le Grand Voyage"
0 `, ]! c5 @* Msub_e_L02_02_0124 Jorge Semprún " Quel beau dimanche!"
* }: \/ w- ?0 j v- N. g6 |sub_e_L02_02_0125 Javier Sierra "La Dama Azul"( m, r" ?9 q4 k9 f& f# w! k
sub_e_L02_02_0126 Javier Sierra "La Cena Secreta"
2 ~2 c- i+ T, i- C' x% A# N% [2 ^sub_e_L02_02_0127 Francisco Umbral "Mortal y rosa"
$ b- W/ l! I7 Esub_e_L02_02_0128 Francisco Umbral " Trilogia de Madrid"
9 H+ i) h: I, z) i( Ssub_e_L02_02_0129 Gonzalo Torrente Ballester "Los gozos y las sombras"$ q- O" m: [: w5 `- l, _
sub_e_L02_02_0130 Gonzalo Torrente Ballester " Ifigenia"- @5 F- C$ l, q1 J# z i) U J
sub_e_L02_02_0131 Arturo Pérez-Reverte "El capitan Altariste"1 O/ V! t6 g3 M" t* A4 Q( A# h
sub_e_L02_02_0132 Arturo Pérez-Reverte "El husar"
. k0 ]- S# ]% K6 O. Q1 I- j* V- osub_e_L02_02_0133 Arturo Pérez-Reverte "El oro del rey"( M @' f* S2 t# K. M5 k
sub_e_L02_02_0134 Julio Llamazares "Luna de lobos"9 J. @9 b0 v' q9 J2 Y) y7 b
sub_e_L02_02_0135 Julio Llamazares "El rio del olvido"8 S; p/ F1 J J# R
sub_e_L02_02_0136 Julio Llamazares "El cielo de Madrid"+ s* D, Q7 ^9 V# f, g M
sub_e_L02_02_0137 Thomas Mann "The Magic Mountain"
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都是名著啊 |