Inception台词学习

nanhainan

Are you here to kill me?   Saito坐在昏暗日式房间的桌前,这样问,显然他已在Limbo中迷失了记忆.
) y5 f* y: c1 `+ w. t) c/ k3 j你是来杀我的吗?
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9 s: B( m, p8 L1 S) n& x+ f( c6 JI know what this is.      Cobb拿出了图腾.
我知道这是什么

+ s; M3 |3 \9 n% d! e: JI've seen one before. Many, many years ago.     Saito恢复了一些回忆
3 T1 H. m, c6 G! X我之前见过，那是在很多很多年前

It belonged to a man I met in a half-remembered dream.
在一个已经记不清的梦里,我见过他

A man possessed of some radical notions.
( m( k  O2 w* ~& o* T那个人有一些激进的想法
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画面转到故事的开始
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What is the most resilient parasite?  Cobb在讲解
哪种寄生虫生命力最强?

! ?0 p& r  }) z& TA bacteria? A virus?
5 t: X  o* I( ?& Y) b细菌? 病毒?
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) P5 c  G7 s+ d  K9 JAn intestinal worm?
4 S2 _/ w1 v  F) Y蛔虫?

Uh...
) z" O5 }  \3 ]( G呃...

! y- v' d4 C. j2 [. X2 oWhat Mr. Cobb is trying to say...
" _, T, t$ z8 E柯布先生想说...
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An idea.
8 J8 }  `) |: ?( k1 K: @7 ?  B是想法
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Resilient. Highly contagious.
8 M  d7 M' G- m4 w生命力强，极易传染
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: q: @+ _# t7 m* ]& z  D- \Once an idea has taken hold of the brain, it's almost impossible to eradicate.
3 U8 q2 q1 }6 P2 w一旦大脑被某个想法占据，想抹去它基本是不可能的

% t" b5 H' A; u9 L; E/ Q- u& Q" IAn idea that is fully formed, fully understood, that sticks.
! f3 z+ Y( M% g/ s, l1 N4 b$ c完整透徹的想法，会挥之不去

7 V, a! T8 |- c" ?( e% jRight in there somewhere.    Cobb指着自己的脑袋
就藏在这里

" O; Y! c; {- ^8 n0 F( jFor someone like you to steal?
, ~# L5 r: B9 {9 A给像你这样的人去偷?
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Yes. In the dream state, your conscious defenses are lowered...
6 z6 q: V+ E  d是的，在梦境中，意识的防御会降低...

( N* h+ ~2 n% C! H) t7 K8 C; h...and that makes your thoughts vulnerable to theft.
...这使你的思想易于被偷窃
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It's called extraction.
) w6 I; \8 E$ _7 Q9 B3 q这就叫盗梦
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Mr. Saito, we can train
$ K( ]+ k0 v( ]! ?; `8 yyour subconscious to defend itself...
' b* u8 v/ z, U- SSaito,我们可以训练你的意识来自我防御

...from even the most skilled extractor.
1 z% u0 g, L6 q  N7 {( p甚至可以对训练有素的盗梦者

' s1 s0 n- y0 v# H) XHow can you do that?
% v& y5 M7 Z1 S( }+ h0 g你怎么来实现呢?

Because I am the most skilled extractor.
因为我就是最有经验的盗梦者

I know how to search your mind
6 {) n/ }* b; D4 h9 G* vand find your secrets. I know the tricks.
& x! d0 x' p: l我了解怎样去搜索你的思想,找到你的秘密,我知道其中的技巧.
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And I can teach them to you,
9 m: B1 ~( w: w/ j8 v0 Aso that even when you're asleep...
% O" `9 H& ~$ G3 Y而且我可以教给你,这样即使你在睡觉时,
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) W0 W2 U1 P. ^- w7 N...your defense is never down.
你的防御也不会放松
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Look, if you want my help, you're gonna
have to be completely open with me.
6 S# b/ S5 |+ E5 M  W; R但如果你需要我的帮助,你就要完全对我敞开
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I need to know my way around
your thoughts better than your wife...
我需要比你的妻子都了解你
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/ E  G" Z; @" |...better than your therapist,
( Y6 W. T: e; `/ l! u7 [+ ]better than anyone.
3 T1 N# M# R! W7 V2 ]比你的心理医生,比任何人都要.
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0 Q' a& r+ i. y" pIf this is a dream,
and you have a safe full of secrets...
/ [* _! V0 `) B% D, A( e如果这就是一个梦,而你有一个装着秘密的保险箱
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( l9 t$ j; y+ X8 T1 [9 Z) z...I need to know what's in that safe.
7 W1 V* e- J9 V' {我要知道在其中放着什么

0 Y2 Z$ W+ `4 y7 \4 j7 K) L1 \In order for this all to work,
0 J! m4 v) q( s0 z% Eyou need to completely let me in.
" B6 n- ^1 p4 [) f+ }为了让我了解这些,你要完全接纳我
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! a0 d9 j0 d1 m9 `6 n, ?# ~* r7 O, C+ EEnjoy your evening, gentlemen,
as I consider your proposal.
愿你们晚间快乐,先生们.我会考虑你们的建议.

He knows.
- O4 k$ F+ W- D3 _/ I2 Q他知道了.

; E# W7 |' Q6 b# m0 c5 SWhat's going on up there?         Cobb开始执行任务,射杀defence
那里有什么事吗?
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Saito knows. He's playing with us.
# b; G/ N) `  KSaito知道了,他在和我们躲猫猫

Doesn't matter. I can get it here.
6 X4 H5 `" G7 }  O5 t9 UTrust me.
没关系,我可以拿到,相信我.
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* }' v& B: y, {/ Y, `/ aThe information is in the safe.
信息就在保险箱里
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He looked right at it
0 Y0 T. ^6 Q9 G8 C2 Lwhen I mentioned secrets.
/ G& ]. t# J- |7 K2 [+ i( R9 s当我提到时他看了那儿一眼.
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2 J0 B$ |) j# l* q5 z& c1 rWhat's she doing here?     (她本不应该在那儿的)
3 V, C, n1 w/ V2 C8 b/ R" C她在那里做什么.

Just head back to the room.
All right? I'll take care of this.
2 B9 d  x8 [  w; Q" i+ k你只要回屋子去,好吗,我来处理这里(Cobb有些尴尬)
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+ H, z. ?5 i' cOkay, make sure you do.
We're here to work.
好吧,希望如你所说.我们在这里是来工作的.
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4 B" f. ~8 y: @1 f2 g# ~5 f) Z河边Cobb与Mal的对话
* Q2 j! h' i! h) S& T1 O7 FIf I jumped, would I survive?
6 P& V6 N7 V# p: `- H5 b: H如果我跳下去,我还能活着吗?
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( l8 [+ o5 L% v" KWith a clean dive, perhaps.
或许能保命.
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Mal, what are you doing here?
Mal,你在这儿说啥
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% N" I2 e6 j0 o* z8 Y6 iI thought you might be missing me.
2 S5 S8 P% S0 Z4 _# |我想你可能回想念我
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COBB:
You know that I am.
# O, k: @/ \8 V0 y" K7 v你知道我的确是

8 x2 P/ A; w# s: p6 {, xBut I can't trust you anymore.
但是我已经不能相信你了.
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! o( ^/ K- B4 N- r7 T+ f- R; ~So what?
& K3 A2 i5 _7 c7 c那又怎么样
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9 M" o2 p* N3 U' Q! Z" t$ Y: ?! C  xMAL:
' s" b$ B3 O& S; |& M% ELooks like Arthur's taste.
看起来像阿瑟的口味
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Actually, the subject is partial
2 h& _; }/ b% i! Uto postwar British painters.
实际上,目标对象偏爱战前英国画家.??????????
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Please, have a seat.
. Q. K' A, r. R& \, k; \; I7 e* y* L请坐
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MAL:
$ ^( B( g; Q* t/ oTell me...
告诉我
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4 l0 [! f) o7 W/ B* }3 y...do the children miss me?
孩子们想我吗?

" j) E9 m; L3 s7 |You can't imagine.
你无法想象
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What are you doing?
你在做什么?
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Just getting some fresh air.
只是呼吸些新鲜空气
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4 B, w; h# a- U2 L( SStay where you are, Mal.
4 n& T: g  B& l, R$ [就站在那儿,Mal

Goddamn it.

SAITO:
& @, f3 ]7 _5 }8 N8 CTurn around.
Saito说,转过身来
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The gun, Dom.
把枪交过来,Dom

Please.
8 E; A8 ~% z' ^2 U& I+ o快
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/ h( x2 L( U0 ^6 o$ `Now the envelope, Mr. Cobb.
然后是信封,Cobb
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- u* S3 Q( L" n2 N- ^3 TDid she tell you?
Or have you known all along?
" h: h3 B; ?0 ^- t% Y1 \是她告诉你的?还是你一直就知道?

! Z7 K+ E* O3 g3 T- |5 QThat you're here to steal from me,
or that we are actually asleep?
: ^( ^% b$ {  I6 d你是来偷东西的,还是我们实际在梦里?
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I want to know the name
, U4 C" |: Q% H* ]# }of your employer.
我想知道你的雇主
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/ i. N0 ^" b2 v, P. b: c4 lAh, there's no use threatening him
in a dream, right, Mal?
Mal,在梦里威胁他,没有用,对吗?
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2 K9 ?8 R1 Y3 P! [: TThat depends
9 S9 _" P# |/ _' e/ U  C" _on what you're threatening.
那要看你怎么威胁
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8 L' n/ U4 Y4 L: Z! MKilling him would just wake him up.
杀了他只会让他醒来
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2 n. ?# a( \% SBut pain...
但是疼痛
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Pain is in the mind.
疼痛是在意识中的
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And judging by the decor,
we're in your mind, aren't we, Arthur?
从装饰风格看,我们在阿瑟的意识中,是不是?
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- What are you doing? It's too soon.
8 M  ], ?% V0 j- But the dream's collapsing.
-你要干啥?这笔预计的快
0 ?$ F" U* [$ L( D- F% w! m-但是梦已经在坍塌了

8 G: p* v$ H9 e( l6 V# NI'm gonna try to keep Saito under
a little bit longer. We're almost there.
我会试着拖住Saito再一会儿.我们已经快达到目的了.
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* O9 A6 c( I8 K" [" B' aHe was close. Very close.
他已经很接近了,很接近了.

) e; d+ d) \+ m6 TStop him!
阻止他

+ @# z4 u% i, _# GThis isn't gonna work. Wake him up.
这样不行的,快把他弄醒

& u0 x8 A6 z6 K0 |He won't wake.    指Cobb
* u: u: v( i, c/ Y他醒不过来

- Give him the kick.
! K7 q/ {4 m+ D, r4 P) D. x8 o  mNASH: What?
-把他强行踢出
# E8 Q# ^" _) T# pNash:什么?

# i) L/ ~: e0 L( w8 l. jDunk him.
1 M9 E. a5 e3 Y0 Y) r' L把他推到水池中
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COBB:
; ]) ^: C8 ~( P3 R4 f. R8 X1 d! eHe's out.
Cobb:他已经醒来了
' h& X/ h4 x  B0 Y1 q0 t
" d- z! M5 @& k/ H5 TYou came prepared, hmm?
看来你早有准备,hmm?

( ^0 o# i: Y6 T! [# TNot even my head of security knows
2 {4 Q) e! E! w! r; @this apartment. How did you find it?
就连我脑中的守卫都不知道这个公寓,你们怎么找到这里的?

) v5 u6 v5 b" P  @: A: kIt's difficult for a man of your position
to keep a love nest like this secret...
1 e4 k- A! l! ^( K6 x3 X* Q像你这样位置的人,很难对一个爱巢长时间完全保密
, z# {' F/ s* q% T- f/ s
7 y, d* G9 h4 H...particularly where there's
a married woman involved.
尤其是有个已婚女人涉及在内

- She would never...
! K& e( u5 i8 r* h- Yet here we are.
' l$ k, g2 K4 B  ^, N-她应该不会...
-但我们在这里.

- With a dilemma.
- They're getting closer.
-有点戏剧性
8 w$ H' p/ n9 p2 {/ E4 [-他们越来越接近了     指狂奔而来的暴徒们
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/ b7 ?, ?8 h, Y7 B0 n- You got what you came for.
COBB: Well, that's not true.
-你已经得到你想要的
Cobb: 实际上,不完全正确
5 U; ^- C( N& }  Q: a, x2 W
You left out a key piece of information,
8 W# b1 o' d+ B! I4 @didn't you?
你留下了一小片关键信息,
是不是?
: e9 I$ U9 V; z3 _
* K9 E0 W7 X7 l8 I8 g* q$ ]. ~, bYou held something back
. j4 y  E/ R$ mbecause you knew what we were up to.
& F! I( K  K$ C" d' s; f7 |你有所保留,因为你知道我们是为什么而来的

- Question is, why'd you let us in at all?
- An audition.
-问题是,你为什么会最终让我们进来?
7 h( j" L" K3 F) ?-有音乐
( P4 K) c$ d- V6 ^" g: h
- An audition for what?
1 z7 J0 N* [3 c  P- Doesn't matter. You failed.
-什么音乐?
-跟你没关系,你失败了.





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