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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。
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5 d% w% h  n! L3 h' n1 V, ]' E+ x, E( o补发图片
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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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沙发
发表于 2007-4-6 19:18 | 只看该作者
LZ这条消息有点让人摸不着头脑啊  能不能再详细点呢? [s:23]
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saphirblue 该用户已被删除
板凳
发表于 2007-4-6 21:54 | 只看该作者
为什么这么多游戏都选择布拉格呢?
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)
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2 D5 H1 }: {: x0 ~Still Life" Z- {& D5 z; G+ A, w
NIBIRU3 U" k# r8 K+ Q3 u8 P/ f
Broken Sword 3 Sleeping Dragon6 W- v$ l* W. F! U2 K" M
Indiana Jones And The Emperor′s Tomb
+ `) S) I( S, W# T5 zTomb Raider 6 Angel Of Darkness
# u+ Y5 v* O" R8 [3 }1 C- LVampire:The Masquerade
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+ v  {+ T0 ]+ ^+ o好多啊,AVG也不少
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。3 M7 ?- G: Q1 G0 k2 b% ~2 p( y

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Eminem You Don't Know Lyrics ' w" I( F4 J) G4 S: r, R
[ Intro ]$ {# Q- P. K5 [5 n" t4 [
Eminem:Shady.. 50 Cent:Yeah..
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/ q8 `4 h$ p$ W& D; h' EWho run it? You know, you actin' like you don't know..
: S. J5 w) i8 b% p$ |6 t9 V" \We run it.. You know but you actin' like you don't know..
+ \' d9 t: v- h. p& c/ B1 IWho run it? You know, you actin' like you don't know..1 N# J1 Q% r9 D. r8 T- U7 L& m4 F
We run it.. You know but you actin' like you don't know..# i' g1 s$ I8 x9 b. j

3 t* {. I: D3 @7 h* V[ Chorus ]
3 Y8 Z7 L' s; f0 I7 i" b) X
* x$ ]1 w' l* ^( e. dYou know, you actin' like you don't know
! W) c3 \" r4 A  uI tear the club up fo' sho
) d/ k7 i5 \, W' E+ N1 hThis flow is gon' bring more dough
' h+ D3 D0 k6 V/ s2 R0 V/ fAnd you know but actin' like you don't know
$ S3 [! n- G5 ]) L' E7 n; E1 w3 I% B0 B9 }4 n, E5 Z$ W7 x2 B' M6 p# {7 M
[ Verse 1 ] [ 50 cent ]+ ?- F! c4 |6 x' \/ ?( t  N7 d  R6 |
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Now homie I say I run it run it cause I’m in control9 [9 j$ z0 ^+ {5 S+ y0 o
Hypnotic, hennessey, a couple shots of patrone* Q9 T4 X  O: p6 t$ `
I have you feelin' the hype, I get you high as a kite: q/ x1 e( |$ V1 M& B" Y
Party poppin' shorty said she's comin' with me tonight: W8 Q0 O: I# J4 q! v7 r
I ain't shoulder leanin', I ain't snappin' and poppin'
# ^; z: K; |/ K: U& TEither I’m bobbin' my head or I’m just standin' there watchin' [uh huh!], M8 T1 Z2 E) N0 P- E  n
I'm a hustler I hustle, you can tell that I’m paid) X% r1 N( K" T
And I protect what I got, I’m in the house with my blade$ \9 Z  I' X  x! x' C
Nigga you front you gon' get it, ok now maybe I said it" k/ _# m' o8 @/ F- d% K
'cause I want you triddip, yeah I be on that shiddit
' F. Q$ ^; N4 A8 t5 x3 }- {3 t. tYou should see when I’m stuntin' I flash the stones that be wantin' (haha!)% A5 \+ ~  h3 ]0 r- [& V
Push the whip see me rollin', you can tell that I’m holdin'1 Q  u5 h9 u% _- p
I'm just doin' my thang, you know the units the gang$ y5 w' Z# W7 I+ R3 v* t& o
I got my grimey shady with me you front you'll have to get me
  N+ M+ N7 H$ SOff your ass (yeah!), I pay the lawsuit and laugh (haha!); k; L% V& T7 I: q2 h
It's not a big deal it's nuttin' but some cash.. [bring the hook back!]9 L* b/ u, i8 U6 [( @8 h
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[ Chorus ]& ~2 ^6 c$ X, D. q
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Who run it? You know, you actin' like you don't know
. \9 U& E6 f) F8 GI tear the club up fo' sho) O/ i+ j1 p0 E
This flow is gon' bring more dough [fifty]4 h/ t' m  k/ P' l+ N
And you know but actin' like you don't know [g-unit!]5 j( s& |  W* h0 X7 }
Who run it? You know, you actin' like you don't know+ b, m! L5 c. I( G  t/ f' _2 X2 h. N) N* v
I tear the club up fo' sho6 B, m# C. f$ M" Y1 L
This flow is gon' bring more dough [yeah!]* |# r3 j' m0 s; e4 @
And you know but actin' like you don't know
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. `2 D6 M' W: E* ][ Verse 2 ] [ Eminem ]) Q4 L( a# M3 y, ?

! h% v& O( d: m& C( @- k6 AWhen me and fif got together to do this music# u2 J5 I; e2 h( A, k
The more we became enveloped we just developed a fellowship through it
6 L* ~. @+ D; y/ |0 y2 u: UIt's no pretend shit, it's friendship, me nemisis is su nemisis' g" {, E: y9 l, @
Same for him, it's just media, see to them it's just images [come on!]
' W; j, H7 Z5 m0 H7 hBut this shit is new gimmicks, this is blood in and blood out (whoooo!)
" |: h+ f2 y$ rWhen it's beef you jus' gotta know when to butt in and butt out3 N. _8 m1 Q" ~4 {
If there's a problem we solve it, we don't resolve it. ~7 q$ B8 N* T, H$ z
It just usually jus' evolves into one big brawl and we all get involved in it [yeah!]
: D7 t( n/ r& {! Q' @/ j+ vWe should all get a merit, as much beef we inherit
! V: `% O3 K( b/ yAnd wear it like a badge of honor, pass it around and share it
5 a# h1 ]  O2 P8 T' @" C- A8 iAnd let it go to whoevers holdin' the most current beef on their shoulders5 |# q1 F0 i0 s7 b2 H6 h; e
And their soldiers got their backs till it's over! }* Y3 k  R; Q$ L' j* s

. i+ x! S* M! B1 uBut tonight, we ain't comin' here to beef with nobody
: f8 H6 J4 |4 w# O8 kWe came to party, Banks, Cashis and Mr. Ferrari" A; L7 b4 x4 h5 ~% [6 D% {6 k9 E- E
So it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]) q; s" S# Y! u, t
Come izzon what kinda fizz-uckin' question is that.. (haaa!)
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[ Chorus ]
4 O' U! q3 L; Z
4 O/ S  Y" s+ Q0 EWho run it? [you know, you actin' like you don't know]+ k- Y0 @2 e! M5 X
I tear the club up fo' sho
5 ~5 D$ Z, V& N: r6 B) ]) c+ m[this flow is gon' bring more dough]" N1 ^4 U/ v4 j1 U+ P
And you know but actin' like you don't know
3 A* K; z5 a. e5 T+ ]Who run it? [i said you know, you actin' like you don't know]
, K: O; @  K% A2 \+ a! h: `I tear the club up fo' sho
" W- {- U6 w/ T[this flow is gon' bring more dough]/ Z3 h8 _: `: x2 q, V- A( x
And you know but actin' like you don't know {cashis, break it down now!}
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/ z$ B8 s# T" f[ Verse 3 ] [ Cashis ]
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; x# H( C2 p3 R" s) YPistol play, ricochet, see where the victim lay
5 _. }& ^  ?7 u, qSlumped over bleedin', JFK: @+ J5 J+ r; G- J! E. t
HK to your chest plate( ?. h% X! _$ m
Cave out and ride till the death, do you rep that way
' M. i1 q$ E* t" q$ c1 T. \; C8 oForever I’ma be a shady 7-4 gangster3 J; S* z/ q! ^4 T
Plus I survived everything you got in that chamber0 S+ ]# T# }3 Y" S/ f3 N3 @. p
I thrived off-a danger, jumpin' in all beef
, J  Q8 i: B+ d! y; `You keep talkin' shit, now the squad called me.. [Banks!]
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, U( p6 _" v( b4 U' j* Q[ Verse 4 ] [ Lloyd banks ]
- }+ `# K# P; G: z. x; n/ o
8 P/ {8 m/ t# T0 ~9 qEnough holdin' back the steam (uh), Em let off a magazine
0 U2 N1 T) j' L/ H8 @" T. R4 rDappadon cappa-queens, mixed in with Cashis creams (yeah)
' r: }6 [2 a* s# ^7 SStarted off with half a dream, developed into what you see
% ]; ?1 L. G. z" r0 t( VTellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]
2 j& b+ o$ K4 X7 s( p1 @, II'ma hold a 'matic, when I’m at it, start static and you splattered, `. ]" I% U0 E
Shit shattered, I’m a walkin' bitch magnet [oh!]4 n- P- r& @9 p; u$ X5 a: u
Spit it how I live it, live it all the way to the limit+ G1 U& E2 }+ r
And I’m always on my pivot for my digits, you dig it.. [come on!]) Y* C# U( t$ u% k

' |4 b: L0 k: C2 Z( B[ Chorus ]
+ x) ~4 @+ L2 t2 U  d5 G+ T  K" R3 T1 n  o
We run it! You know, you actin' like you don't know [whoa!]
" n; {5 i0 P8 t. B2 w( r- F9 r+ H, WI tear the club up fo' sho [fo' sho!]
: ^4 X! U( C  x, u) ^# t$ T4 bThis flow is gon' bring more dough [more dough!], F3 l, j# Q. [. k8 Z
And you know but you actin' like you don't know [don't know!]4 s, T3 @4 W) q8 ^1 V  j# X: z9 F
Who run it? You know, you actin' like you don't know [yeah!]" N% `4 E6 v$ W8 K) d8 j: X
I tear the club up fo' sho1 n: L! p) E& D5 Y
This flow is gon' bring more dough
3 e4 X. P+ F$ [" |' s6 ^8 f1 jAnd you know but you actin' like you don't know- |8 Y+ O' x! d# Z: {& @
Who run it?
! S1 o. ^: c/ ^; O% C& @0 s- V* o$ k! x
1 a2 j, q" n! q% Z[ Outro ] [ Tony Yayo ]2 a& L# t9 [2 U% x6 c! J& ~2 c
' S4 Y! @& O. e* D6 I' P
You know what this is..
. I( B0 z1 n+ f. G4 D- WShady.. G-unit.. Aftermath..; F$ ~; ]4 N$ s% z
Lloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..
2 n/ @4 Z2 _8 e; f8 rIts a movement.. You can't stop it..
" Q. B/ A: G# }- ~; iTalk of New York, Tony Yayo..0 G2 c( _5 r: Q( {
Go.......
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:
( |( V/ c% @; o1 r二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。

  ]- [/ f( @# j
0 O' s. n* k) O' K2 ~这个话题可以叫skywalker来主讲 [s:23]
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另外07年的《mozart》也发生在布拉格
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:
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这个话题可以叫skywalker来主讲 [s:23]   c2 J( Q5 y2 Q2 |
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.......

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对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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