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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。
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补发图片
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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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沙发
发表于 2007-4-6 19:18 | 只看该作者
LZ这条消息有点让人摸不着头脑啊  能不能再详细点呢? [s:23]
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saphirblue 该用户已被删除
板凳
发表于 2007-4-6 21:54 | 只看该作者
为什么这么多游戏都选择布拉格呢?
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)0 k0 U, U# s6 K9 y( T5 u' ^4 d
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Still Life
& Q) V' s$ L* YNIBIRU
4 _8 ]; w5 k: w# A- o. RBroken Sword 3 Sleeping Dragon
. `. W2 D& Z2 B9 I$ p- c7 SIndiana Jones And The Emperor′s Tomb
; V. ^& O* ^1 _) e1 UTomb Raider 6 Angel Of Darkness7 S0 p" b! i  p4 |: c; F
Vampire:The Masquerade
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好多啊,AVG也不少
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。& Z8 n5 `% {! a
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# v5 e" Q! s. A! E/ `, t: E3 @# f
Eminem You Don't Know Lyrics
: A! D4 Z* {" e* m[ Intro ]2 U" A4 s: C" w& ^
Eminem:Shady.. 50 Cent:Yeah..6 s& |, A: [2 T9 w

8 S/ g/ r+ J! KWho run it? You know, you actin' like you don't know..
1 {' c0 Z" S5 ]/ a) U, Z8 aWe run it.. You know but you actin' like you don't know..  H6 W( U, M+ g' T. p+ C# d- N
Who run it? You know, you actin' like you don't know..
$ O( `4 X/ [, u+ wWe run it.. You know but you actin' like you don't know..3 N# O! @; x8 k+ p+ F/ I( ?* o
4 S. i; U; ?. T4 x: D5 J$ W) j
[ Chorus ]1 g8 U/ ^2 L5 E- X
4 n3 }# `* t) {! p4 M1 E! I
You know, you actin' like you don't know' Z5 s- v  ^; F: {" }
I tear the club up fo' sho2 ]4 @9 W& o3 j3 c
This flow is gon' bring more dough5 l  J/ _" \3 X5 |( U
And you know but actin' like you don't know) N  d+ l3 g- G

* Q7 c% {+ B+ T* F* z( m- N[ Verse 1 ] [ 50 cent ]
& ^) V/ O! m/ N7 F, I. Y9 L0 A& k: D8 b( ?
Now homie I say I run it run it cause I’m in control
) K+ ?. D& l7 P* y$ e. i5 Z! oHypnotic, hennessey, a couple shots of patrone; h1 X0 ]. ]) W4 j8 t# I
I have you feelin' the hype, I get you high as a kite1 x- Z1 j. W- F- r( |/ u
Party poppin' shorty said she's comin' with me tonight
5 n" e6 ]- V0 M  n! d6 VI ain't shoulder leanin', I ain't snappin' and poppin'
" h. o- Q( I3 ~# H' W( _6 J& XEither I’m bobbin' my head or I’m just standin' there watchin' [uh huh!]
! I! c6 w0 r" }' qI'm a hustler I hustle, you can tell that I’m paid
1 e+ \' ?+ N# \2 TAnd I protect what I got, I’m in the house with my blade4 X& A) }! {/ Z) D) o6 \
Nigga you front you gon' get it, ok now maybe I said it
' e8 D/ ]  [, T' M% N3 m'cause I want you triddip, yeah I be on that shiddit
5 K7 B0 I, M# s1 _You should see when I’m stuntin' I flash the stones that be wantin' (haha!)
0 O' d7 T: y0 `0 x8 `2 O$ M( D" }Push the whip see me rollin', you can tell that I’m holdin'
% U7 }! {( j9 K2 b% l" |I'm just doin' my thang, you know the units the gang
2 p1 G6 |1 R( [' T# l! {& Y" QI got my grimey shady with me you front you'll have to get me
" c8 w  ]3 s& [4 l6 _9 COff your ass (yeah!), I pay the lawsuit and laugh (haha!)+ Q$ S% Q& m6 S& `- K" y4 t
It's not a big deal it's nuttin' but some cash.. [bring the hook back!]
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4 ~( Z9 P1 V; d# B! V: t[ Chorus ]! R) `( \0 q7 e. X, u6 L

/ Y; a. k) l8 V: JWho run it? You know, you actin' like you don't know
; f* Q8 r2 N& |" \. M! HI tear the club up fo' sho
1 f' r5 I. U! s& b: X$ vThis flow is gon' bring more dough [fifty]
6 S* O  W8 h6 ^$ f7 A. EAnd you know but actin' like you don't know [g-unit!]& }( D) d1 j! \: V
Who run it? You know, you actin' like you don't know; i" `4 w) x' F3 s' S; @
I tear the club up fo' sho& f' x2 \9 h& z7 A1 M0 W4 \; G
This flow is gon' bring more dough [yeah!]
3 C% A- X4 o) m, o2 U8 L1 p! gAnd you know but actin' like you don't know
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[ Verse 2 ] [ Eminem ]
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2 b& }) w* u2 D4 ^When me and fif got together to do this music
# d8 e) A2 I1 h0 ~0 y+ v. JThe more we became enveloped we just developed a fellowship through it
9 r9 M; W- t/ \1 TIt's no pretend shit, it's friendship, me nemisis is su nemisis; `: n9 n; h0 o+ s: j3 P
Same for him, it's just media, see to them it's just images [come on!]3 b1 Y) ?/ C; T6 L1 s  L3 c" S
But this shit is new gimmicks, this is blood in and blood out (whoooo!)
" D2 j. A9 x6 m) KWhen it's beef you jus' gotta know when to butt in and butt out' q7 s5 g; ?, K0 p& |! m$ W6 S
If there's a problem we solve it, we don't resolve it
7 c3 C4 v; X+ v, U- RIt just usually jus' evolves into one big brawl and we all get involved in it [yeah!]7 J* A$ v# T5 x- b, j: r
We should all get a merit, as much beef we inherit" L9 i! G: l* m% }- F! I
And wear it like a badge of honor, pass it around and share it
; R5 ]6 y- P3 r' I+ D3 i( [And let it go to whoevers holdin' the most current beef on their shoulders( {3 f3 t$ P5 |8 X& C
And their soldiers got their backs till it's over! y0 x2 B0 O( B- K2 O9 I
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But tonight, we ain't comin' here to beef with nobody+ R: F& Z6 u: S: W2 q
We came to party, Banks, Cashis and Mr. Ferrari+ X, }* O2 q0 z& K' Q
So it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]( K# s. e5 L# x" X
Come izzon what kinda fizz-uckin' question is that.. (haaa!)/ h9 z! S) \2 L2 ~$ `
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[ Chorus ]
4 |5 x3 U" ?! l5 s
) v: T: x; j0 p( r: j( L/ lWho run it? [you know, you actin' like you don't know]0 x0 @; L: Z" \# L: w
I tear the club up fo' sho- [7 e3 o/ ^& x' m% g
[this flow is gon' bring more dough]
; p7 C* F( G+ T& s: f5 t$ nAnd you know but actin' like you don't know7 `7 w; h; C+ t
Who run it? [i said you know, you actin' like you don't know]
6 z& V2 u6 N$ N+ vI tear the club up fo' sho& K+ M, d* j' @. m$ I% k
[this flow is gon' bring more dough]+ Q$ I( W* \/ |  w# G6 Q, B7 D
And you know but actin' like you don't know {cashis, break it down now!}
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[ Verse 3 ] [ Cashis ]
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5 {8 F3 }! `' E+ r  d+ \Pistol play, ricochet, see where the victim lay$ l9 I2 X. Z/ R% }$ j, {2 x2 ~. [
Slumped over bleedin', JFK
6 S, L' x; a! ~/ CHK to your chest plate/ `  |9 A+ W9 Q: h
Cave out and ride till the death, do you rep that way
+ B2 R) g$ {: H3 \4 Y) p2 ~Forever I’ma be a shady 7-4 gangster+ a8 r# K9 R2 M
Plus I survived everything you got in that chamber3 T7 M* |/ k* e" Y& c2 {! J9 Y
I thrived off-a danger, jumpin' in all beef
, N* \" F, \3 C8 z; y) S" ^You keep talkin' shit, now the squad called me.. [Banks!]
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[ Verse 4 ] [ Lloyd banks ]& Q1 l8 u" m% O  N) w. i, Z
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Enough holdin' back the steam (uh), Em let off a magazine2 U' J9 S& V& Q2 {& j# E
Dappadon cappa-queens, mixed in with Cashis creams (yeah)
2 a. v; ^8 @2 RStarted off with half a dream, developed into what you see# W3 @% E6 c9 }; z$ v. s% d
Tellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]
" d! N" W7 D7 @4 M+ |/ tI'ma hold a 'matic, when I’m at it, start static and you splattered2 @9 M# V/ m3 w7 ^- J
Shit shattered, I’m a walkin' bitch magnet [oh!]
1 ]$ c# }2 Q' e' ~  Y& L+ ]Spit it how I live it, live it all the way to the limit
3 s) m: W: i* I9 q: GAnd I’m always on my pivot for my digits, you dig it.. [come on!]% m) j5 Q- u6 c5 O9 J1 e+ u
4 y. c) u' d  F  b8 W
[ Chorus ]
4 U8 h% R+ }/ N& `/ J, t! d# ]. m0 O; \) A- A4 c& w' L4 o
We run it! You know, you actin' like you don't know [whoa!]  k8 f  W6 X: V! S) f; O
I tear the club up fo' sho [fo' sho!], o- K& {  c9 d. T* e6 z. f
This flow is gon' bring more dough [more dough!]9 X# b2 v' E- B3 L' k5 x$ r
And you know but you actin' like you don't know [don't know!]0 I, Q9 U$ b3 D2 g
Who run it? You know, you actin' like you don't know [yeah!]1 ?7 f1 S9 l; x' L; v
I tear the club up fo' sho; @( K/ k0 l5 O3 D
This flow is gon' bring more dough
7 D) [: O6 b0 l' }* I% lAnd you know but you actin' like you don't know$ F! g  Q5 d8 Z1 t) M1 Q3 l2 Q
Who run it?1 R; q9 i: i4 t, h2 k4 H7 b8 s" `
6 P9 U/ F# P3 Q3 o% W, z9 C
[ Outro ] [ Tony Yayo ]1 _8 k8 b* D3 K

3 R' l1 r9 S9 p6 l2 @! M: x' rYou know what this is..
/ Q1 o+ Z/ G( `8 h; }! P; x& CShady.. G-unit.. Aftermath..1 P/ B; ?9 x+ K4 }
Lloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..2 {9 I" ~8 o# _
Its a movement.. You can't stop it..
* x# V" M9 }; y5 ^( ETalk of New York, Tony Yayo..4 S& C/ C$ G5 k. G. k, s7 R
Go.......
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:1 S7 d) n% x8 M: E5 W
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
7 {0 _0 U# p" y4 G0 {" g
  H' P/ w2 }  s( l0 P
这个话题可以叫skywalker来主讲 [s:23]
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  C( A7 v! _  v2 ]另外07年的《mozart》也发生在布拉格
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:
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; Q: z9 w' y" x3 s' i" Y9 j  k2 z, H# n5 U1 G3 _
这个话题可以叫skywalker来主讲 [s:23] " h6 a3 E! z7 p7 b! J' T
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.......

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对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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