引用第51楼598088146于2010-01-20 23:58发表的 :
/ i r5 |: e% u4 O$ b1 X* i我的那部分除了一些西班牙的作者和对应的书名没有翻译,剩下的都完了。% J2 _/ Z8 A8 _
我恨西班牙 [s:44] 指的是这些吗) O+ l- Y5 l, V+ X: _" n
sub_e_L02_02_0037 Moliere "L'Avare ou l'École du mensonge"
( p& s' ]6 i2 ^5 A/ ?sub_e_L02_02_0038 Honore de Balzac "Le Père Goriot"
8 e, B) A1 U- [- c1 s; ^# a+ Esub_e_L02_02_0039 Homer "Odyssey"
$ s, i0 p5 A. a) f2 U! X0 m* T! |sub_e_L02_02_0040 Franz Kafka "Das Urteil"
" K( s$ ~6 u$ k/ v' f4 _ N, Nsub_e_L02_02_0041 Charles Dickens "David Copperfield"
, F2 u% Y' B7 G- y/ x \/ V8 }, _* z5 h7 Dsub_e_L02_02_0042 Herman Melville "Moby Dick"2 t2 D2 u9 ]! A E9 y
sub_e_L02_02_0043 Samuel Becket "Waiting for Godot": l4 ]4 R: l1 }' g; f$ o [3 D
sub_e_L02_02_0044 Emil Zola "Germinal"
. [$ b# i" ^. i, L4 Ysub_e_L02_02_0045 Torquato Tasso "Gerusalemme liberata"9 X! L/ v( o6 h6 }0 k' U. g
sub_e_L02_02_0046 J. R. R. Tolkien "Lord of the Rings. Fellowship of the Ring."
0 _# f4 P% T) \# P# O- M- [sub_e_L02_02_0047 J. R. R. Tolkien "Lord of the Rings. The Two Towers."
1 A( `* _% a! Esub_e_L02_02_0048 J. R. R. Tolkien "Lord of the Rings. Return of the King."6 E2 W, n4 C$ ?( b% ^, Y$ F
sub_e_L02_02_0049 Jules Verne "Le tour du monde en quatre-vingts jours"
/ P" k6 f! Y, ]sub_e_L02_02_0050 Jules Verne "Les Enfants du capitaine Grant" 儒尔·凡尔纳 格兰特船长的儿女* y% e7 H# D4 P' h
sub_e_L02_02_0051 Sophocles "Antigone"
6 t4 |8 l' ]/ f8 O) p) ~ n0 |5 bsub_e_L02_02_0052 Stendhal "Le Rouge et le Noir"
0 M# u+ A5 V( u7 t' Gsub_e_L02_02_0053 Leo Tolstoy "Anna Karenina"
3 P/ m$ L0 e9 q2 D* _, Msub_e_L02_02_0054 Leo Tolstoy "War and Peace"
. u+ Y; H, I; ~/ J; Z6 Usub_e_L02_02_0055 Fyodor Dostoyevsky "The Possessed"
h# c9 p5 m3 ^8 G7 j8 Fsub_e_L02_02_0056 Fyodor Dostoyevsky "The Brothers Karamazov"
' {* f. m0 a! tsub_e_L02_02_0057 Sophocles "Antigone"1 b/ ]8 Q* `4 u- V% a0 C) `, P7 `
sub_e_L02_02_0058 William Shakespeare "Hamlet"
& J& k) G& w: s5 E) N4 G7 J: v5 N3 N- Nsub_e_L02_02_0059 William Shakespeare "Romeo and Juliet"
6 t# G) B2 ?) m4 [! W( V8 y1 }sub_e_L02_02_0060 William Shakespeare "Macbeth"
2 P, D. h! h xsub_e_L02_02_0061 Miguel de Cervantes Saavedra "Don Quixote"
+ E* w0 d4 @/ C5 N+ [" U. m2 R Msub_e_L02_02_0062 Nikolai Gogol "Dead Souls"& Y1 U; T: V' }3 ]- ?! O! B K
sub_e_L02_02_0063 Marcel Proust "À la recherche du temps perdu"$ U$ `; \# o V# d/ ]7 j4 h
sub_e_L02_02_0064 Jaroslav Hašek "The Good Soldier Švejk"2 v/ Q8 W& F" ~
sub_e_L02_02_0065 Emily Brontë "Wuthering Heights"9 t1 \' @, L, H$ ~3 z+ |
sub_e_L02_02_0066 Charles Dickens "The Pickwick Papers"
) e9 f) E! C1 D5 C( tsub_e_L02_02_0067 François Rabelais "La vie de Gargantua et de Pantagruel"; J/ Z3 b: S* p; h+ n( b
sub_e_L02_02_0068 William Blake "Poems"
$ W: g+ p: T- Osub_e_L02_02_0069 Ovid "Transformations"+ R4 J, Q# C8 b2 c9 J: M3 G+ o& b# s
sub_e_L02_02_0070 Homer "Iliad"1 {' R3 C& c0 r+ O" w; ]* A
sub_e_L02_02_0071 Molière "Don Juan"% @$ s5 `5 H! f) w% R
sub_e_L02_02_0072 Charles Dickens "Oliver Twist"! z# f; ] I! Q' H8 l: N8 d
sub_e_L02_02_0073 Voltaire "Candide"
3 Y2 C3 V, R- }5 t( S1 Asub_e_L02_02_0074 John Milton "Paradise Lost"& ?9 M6 }7 q7 N0 q0 R& Z
sub_e_L02_02_0075 Joshep Conrad "Lord Jim"' _9 {" U+ p; [* T3 @) I% t+ e# x
sub_e_L02_02_0076 Giovanni Boccaccio "Decameron"
9 I- x1 E0 @+ f) h$ E5 i+ Nsub_e_L02_02_0077 J. D. Salinger "The Catcher in the Rye"
$ X4 x" P; [0 _% T5 A9 i& K' Vsub_e_L02_02_0078 Karl May "Winnetou"2 E" J2 K5 ]& ^# s: m
sub_e_L02_02_0079 Jules Verne "Robur-le-Conquérant"3 r( \$ _. ?2 `* e" ^ H
sub_e_L02_02_0080 Jules Verne "Maître du monde". b. S$ O; f$ ~, q$ O! E4 X" [* i: W
sub_e_L02_02_0081 William Shakespeare "King Lear"
' F ?1 V; S6 q4 B1 u7 v1 }1 xsub_e_L02_02_0082 William Shakespeare "Otello"
: F5 k2 e( e8 h, ?sub_e_L02_02_0083 William Shakespeare "Taming of the Shrew"! ^9 g `7 i: Z% I* c
sub_e_L02_02_0084 William Shakespeare "The Phoenix and the Turtle"
7 V9 l2 L; c1 t. i- P/ o2 Jsub_e_L02_02_0085 Jack London "White Fang"6 ]" F w: c9 @6 c( A% j0 j4 s, [
sub_e_L02_02_0086 Jack London "The Call of the Wild"
4 m( L9 ~" Q2 m) W; `sub_e_L02_02_0087 Jack London "The Game"
( r% a) Q: L3 Y4 Bsub_e_L02_02_0088 William Wharton "Birdy"2 {# ^4 A* ^0 ]6 g5 Y
sub_e_L02_02_0089 William Wharton "Dad"1 e. z8 s) v I/ Q/ A+ ^4 e; t
sub_e_L02_02_0090 William Wharton "A Midnight Clear"
, H# ^) U" c3 M) Lsub_e_L02_02_0091 Paulo Coelho "The Alchemist"
' R" i& j6 i" S! psub_e_L02_02_0092 Paulo Coelho "The Pilgrimage"
& ~! t6 J2 ?* f: M* g4 zsub_e_L02_02_0093 Paulo Coelho "The Fifth Mountain"
. N6 l) E" s5 V0 T* |5 [7 O# k& C8 [sub_e_L02_02_0094 Paulo Coelho "Eleven Minutes"0 \0 y% i7 t! u& a- [* q% ~
sub_e_L02_02_0095 Paulo Coelho "The Zahir"! j5 G7 E9 v% Z1 O+ |3 ~# V6 t8 V
sub_e_L02_02_0096 Marion Zimmer Bradley "The Mists of Avalon"
( e) C2 k5 L8 R# k* l q! Csub_e_L02_02_0097 Vicente Aleixandre "Passion of the Earth"
2 f5 a1 z3 j. X9 i* B- l* Dsub_e_L02_02_0098 Vicente Aleixandre "Shadow of Paradise"* C. I2 E! k" N5 p0 J$ P
sub_e_L02_02_0099 Fernando Arrabal "Porté disparu"$ p F' P v8 t' R& v0 i
sub_e_L02_02_0100 Fernando Arrabal "Baal Babylone"
* [& |: o/ C; h6 y9 {sub_e_L02_02_0101 Pio Baroja "Tierra vasca"
( G8 o( n3 L. qsub_e_L02_02_0102 Pio Baroja "La raza"
- ~2 I7 b; c8 H. o# ], Q3 Y0 Nsub_e_L02_02_0103 Miguel Delibes "Las ratas" K* N$ u- p0 c0 _/ @3 y7 H4 _: M Z
sub_e_L02_02_0104 Miguel Delibes"Cinco horas con Mario"
9 P& z9 i. ^/ Z; ^2 }, Nsub_e_L02_02_0105 Baltasar Gracián "Criticon"
3 r0 c/ S% e0 Lsub_e_L02_02_0106 Baltasar Gracián "El heroe"
5 Z' `+ m% O! C1 @) A csub_e_L02_02_0107 Juan Carlos Arce "Para seguir quemando preguntas"+ B5 s' E1 C9 _; E: m! o3 T: ?$ M7 L
sub_e_L02_02_0108 Juan Carlos Arce "Los colores de la guerra" y0 V5 K* B: X4 E
sub_e_L02_02_0109 Juan Marsé "Un dia volvere"
3 p- w3 A- @9 vsub_e_L02_02_0110 Juan Marsé "Rabos de lagartija"* @9 ~# }) G8 J4 y+ @# R9 M7 X A
sub_e_L02_02_0111 Javier Marias "Corazon tan blanco"
% D+ \; W7 h4 C$ a ysub_e_L02_02_0112 Javier Marias "Todas las almas"
^- d: k( h9 h4 Fsub_e_L02_02_0113 Eduardo Mendoza "Una comedia ligera"
3 E G8 Q& C: F8 }sub_e_L02_02_0114 Eduardo Mendoza "El ano del diluvio"
; Z* K8 r2 U5 \" P& N& j3 Msub_e_L02_02_0115 Gabriel Miró "Nomada"
5 H4 Q% b0 L5 X* w, @2 Usub_e_L02_02_0116 Gabriel Miró "La palma rota"
3 ~, _- }! n. s+ Z" y+ ?sub_e_L02_02_0117 Julia Navarro "La Biblia de Barro"$ _# x$ V1 B! l0 v
sub_e_L02_02_0118 Julia Navarro "La Sangre de los Inocentes"6 K5 J3 V. c, H7 x7 e# ?
sub_e_L02_02_0119 Julia Navaarro "La Hermandad de la Sabana Santa", \' D; m0 C; a) B' m$ @
sub_e_L02_02_0120 Manuel Rivas "O lapis do carpinteiro") ~% A1 J( m# h
sub_e_L02_02_0121 Gabriel Miró "Nomada"+ r' |( B$ _9 C' v* [( @ g: W: p. ~/ ?
sub_e_L02_02_0122 Gabriel Miró "La palma rota"
9 D3 x _/ _* d, F: H" l. }sub_e_L02_02_0123 Jorge Semprún "Le Grand Voyage" t; a& p9 L0 M" ~& i
sub_e_L02_02_0124 Jorge Semprún " Quel beau dimanche!"
6 A9 k ^6 Y( h; D7 Wsub_e_L02_02_0125 Javier Sierra "La Dama Azul"
1 M0 N9 s2 o7 u) Ssub_e_L02_02_0126 Javier Sierra "La Cena Secreta"0 Q1 q% s/ D% F# S7 Q* j
sub_e_L02_02_0127 Francisco Umbral "Mortal y rosa"
$ U: Z# W# Q! y% I) } E0 g1 Lsub_e_L02_02_0128 Francisco Umbral " Trilogia de Madrid"
0 r& c6 e6 d$ \2 Q2 t# csub_e_L02_02_0129 Gonzalo Torrente Ballester "Los gozos y las sombras"
! Q! h; j' y, t; P" N+ ?9 ]sub_e_L02_02_0130 Gonzalo Torrente Ballester " Ifigenia"
2 G' ~4 E) I9 s! ?" U" esub_e_L02_02_0131 Arturo Pérez-Reverte "El capitan Altariste"- N' ~/ d; e0 _
sub_e_L02_02_0132 Arturo Pérez-Reverte "El husar"" `# F/ G5 s* i# p0 Q3 t
sub_e_L02_02_0133 Arturo Pérez-Reverte "El oro del rey". Y" f1 h0 k1 A+ U- B: p3 H, k
sub_e_L02_02_0134 Julio Llamazares "Luna de lobos"
# C$ n1 j# `, w# P/ Ksub_e_L02_02_0135 Julio Llamazares "El rio del olvido"9 O: s* d7 ^+ O( d
sub_e_L02_02_0136 Julio Llamazares "El cielo de Madrid"% U4 u. s6 D7 K) A4 m( E
sub_e_L02_02_0137 Thomas Mann "The Magic Mountain") r/ E' C- r1 j0 `
, U( j5 ?7 n) u2 g% b; i, F; n& m都是名著啊 |