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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |正序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。
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补发图片
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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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12#
发表于 2007-5-5 14:07 | 只看该作者
引用第10楼Skywalker2007-04-13 23:06发表的“”:
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多谢抬举!我么反正喜欢在Wagner, Mahler, 或者Bruckner等人的交响乐中指挥德国军队打仗。
0 ]6 d) d5 W8 z# Q5 J' P8 ^.......

1 l# U( `& n6 U2 z然后被“牢不可破的纸盟”反推么 [s:23] 呵呵,开个玩笑 [s:23]
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11#
发表于 2007-4-13 23:06 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:+ `; R( T8 z( t: |

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8 Q7 u+ Z) S. F$ S+ v4 d这个话题可以叫skywalker来主讲 [s:23]
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.......

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多谢抬举!
4 e) H! `7 q5 m9 k  ]: e4 j& R3 o( D7 O: \2 D$ u
我么反正喜欢在Wagner, Mahler, 或者Bruckner等人的交响乐中指挥德国军队打仗。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:# o1 |5 Y. E8 w
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这个话题可以叫skywalker来主讲 [s:23]
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.......

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对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:
+ J" `: W% P9 {& q二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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9 l5 s, Z3 ^5 C: Z$ q% \3 m这个话题可以叫skywalker来主讲 [s:23]
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另外07年的《mozart》也发生在布拉格
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。7 l$ o9 ^+ t" K- [9 |; _1 u- H. T

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1 T  {- `4 Z( i+ v1 a0 y- E! xEminem You Don't Know Lyrics - t- @  n% [6 w" [8 s
[ Intro ]9 w/ {; d5 w* V) }/ l5 U
Eminem:Shady.. 50 Cent:Yeah..* b( W" n5 }: ^, ~7 E

0 c  T# O' c6 k9 g6 d+ Q$ G/ c6 wWho run it? You know, you actin' like you don't know..
* p, j+ n' W9 u2 p2 p- G" vWe run it.. You know but you actin' like you don't know..( _! @; ]# Z, u3 D2 d: R' m
Who run it? You know, you actin' like you don't know..
& F3 Q( a" f4 v9 K! ~: G9 j+ p, GWe run it.. You know but you actin' like you don't know..
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[ Chorus ]5 D6 a: K2 ~6 |" o

& n! F+ E  `  hYou know, you actin' like you don't know
: a3 c( O/ ~2 D" F: }I tear the club up fo' sho2 V! J, [$ i! K8 G+ D
This flow is gon' bring more dough% F2 P1 }& A1 ^& Y
And you know but actin' like you don't know7 Q% T+ o! E5 y$ Z( s9 R; I. T

0 Y; C2 q1 z5 V3 u2 H2 g/ L8 F5 K[ Verse 1 ] [ 50 cent ]$ I6 D8 D  e# A9 k
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Now homie I say I run it run it cause I’m in control% o. A3 V4 A7 G! r8 m9 s, J, W6 z
Hypnotic, hennessey, a couple shots of patrone" @; p2 i* e9 _& P" N8 q: x
I have you feelin' the hype, I get you high as a kite
, X4 {! A+ I% u: P0 BParty poppin' shorty said she's comin' with me tonight
8 E( _5 D4 y# ?& k* U9 uI ain't shoulder leanin', I ain't snappin' and poppin'
  [8 L# x# h: j: |0 p9 |Either I’m bobbin' my head or I’m just standin' there watchin' [uh huh!]
; z  t( T; _# M) t& _9 }I'm a hustler I hustle, you can tell that I’m paid# Y' Z5 O2 Y- `) b  h
And I protect what I got, I’m in the house with my blade: C; P/ u# J6 H: W
Nigga you front you gon' get it, ok now maybe I said it
+ {: M$ n! R' R& @/ A'cause I want you triddip, yeah I be on that shiddit
5 N' q' q5 P5 O/ _You should see when I’m stuntin' I flash the stones that be wantin' (haha!)" g* o/ r0 }" `
Push the whip see me rollin', you can tell that I’m holdin'
" J% h* f9 V" D  ~8 h, g+ hI'm just doin' my thang, you know the units the gang
. ~) M* g( ^. t, p: H/ vI got my grimey shady with me you front you'll have to get me0 R2 R3 a* s6 |) ]
Off your ass (yeah!), I pay the lawsuit and laugh (haha!)
  I0 ?0 d! k  Y' W" FIt's not a big deal it's nuttin' but some cash.. [bring the hook back!]7 v8 b7 C0 s- s6 Z  |2 Z* R! Y# w
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[ Chorus ]
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' h' S& {" N4 w) y' F: ]7 \  AWho run it? You know, you actin' like you don't know
: R) \6 l1 t9 |/ u8 fI tear the club up fo' sho
8 g/ T5 o! m( H; S  A/ zThis flow is gon' bring more dough [fifty]
+ {' k" y! g! R1 ~+ ~6 g* lAnd you know but actin' like you don't know [g-unit!]
0 a; R' p0 }9 Q* a6 vWho run it? You know, you actin' like you don't know& O- a0 \7 K1 E
I tear the club up fo' sho
; Z9 `7 j! L( v/ _This flow is gon' bring more dough [yeah!]- @' ~* H1 ], E$ e
And you know but actin' like you don't know
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[ Verse 2 ] [ Eminem ]- @: G1 }1 p' \: q

5 s1 x  \8 m! v+ O/ tWhen me and fif got together to do this music1 h4 Y: P, J  s1 m/ d
The more we became enveloped we just developed a fellowship through it; y- ]" t% K+ V7 ~
It's no pretend shit, it's friendship, me nemisis is su nemisis" F7 d' Z) D. T; Y; H0 ]
Same for him, it's just media, see to them it's just images [come on!]
7 d# P( j4 S3 T( ~/ _3 T& ~But this shit is new gimmicks, this is blood in and blood out (whoooo!)
% s' G1 S% s5 iWhen it's beef you jus' gotta know when to butt in and butt out
5 H# x$ ^, o7 \If there's a problem we solve it, we don't resolve it0 S7 J6 E, e5 R1 w" {' ^. L
It just usually jus' evolves into one big brawl and we all get involved in it [yeah!]
% k% ]6 C" m* y' r5 `8 G: L- {We should all get a merit, as much beef we inherit
. v; z+ D/ S1 Q: E. U5 l- B- |9 _# hAnd wear it like a badge of honor, pass it around and share it4 x7 I/ C, R- H; Q. y& ?3 Z0 p
And let it go to whoevers holdin' the most current beef on their shoulders9 @, q7 o+ n8 }5 k$ ]. [
And their soldiers got their backs till it's over9 H" ^8 [, \' n' E% p
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But tonight, we ain't comin' here to beef with nobody
2 O% k) Q  R5 ^; S; bWe came to party, Banks, Cashis and Mr. Ferrari
& W4 m1 e7 _/ d5 NSo it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]0 `' \, s8 U' ~& V/ [$ x' z3 i; e6 O1 W
Come izzon what kinda fizz-uckin' question is that.. (haaa!)
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7 K4 p$ {9 u( j" D1 v[ Chorus ]
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Who run it? [you know, you actin' like you don't know]
! `' ~  F- q. q! ]* hI tear the club up fo' sho
( _* c( ^0 Z5 j# d9 S[this flow is gon' bring more dough], ?( S& L6 C3 A
And you know but actin' like you don't know; B6 ^# H& C- s9 p" A. F" W
Who run it? [i said you know, you actin' like you don't know]
% A0 T, l. \0 E% X0 L6 QI tear the club up fo' sho2 K. z% G- C$ e5 L2 h& G
[this flow is gon' bring more dough]  M# F1 L1 a1 s: ?0 t1 b
And you know but actin' like you don't know {cashis, break it down now!}  O1 a$ P: X4 {% E+ E1 {
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[ Verse 3 ] [ Cashis ]
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Pistol play, ricochet, see where the victim lay
1 u$ _' T  Z" m: V) L6 k* F4 ~Slumped over bleedin', JFK
1 {9 z& v1 t2 d  y" VHK to your chest plate
* x/ Z! R( F$ W/ }8 O  HCave out and ride till the death, do you rep that way
4 O" ^  J7 D( K  Q! G# ]' H# BForever I’ma be a shady 7-4 gangster
; ?8 P) Y3 U: v$ o! Y9 E1 WPlus I survived everything you got in that chamber. {  M2 [: E* j+ ]) k. A
I thrived off-a danger, jumpin' in all beef
! }7 `- @) O. v* v8 p, yYou keep talkin' shit, now the squad called me.. [Banks!]9 K" t6 T# G0 I% {. n! N* @

3 }1 i- \+ H) l- a( Q[ Verse 4 ] [ Lloyd banks ]
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. i* f' \. U, i2 t7 `0 u; r: oEnough holdin' back the steam (uh), Em let off a magazine, f7 i5 ?; b) O+ ~
Dappadon cappa-queens, mixed in with Cashis creams (yeah)
& \: T- |$ p& ?, }( nStarted off with half a dream, developed into what you see- Z( ^$ v, U; x+ R4 W4 j0 f0 p8 s
Tellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]& O( Q" ?0 o3 }
I'ma hold a 'matic, when I’m at it, start static and you splattered2 b' f( h1 k5 ?! D; M; h
Shit shattered, I’m a walkin' bitch magnet [oh!]8 `0 G. k/ d" |3 l% [$ S
Spit it how I live it, live it all the way to the limit
. Y, U" y) ~. u5 zAnd I’m always on my pivot for my digits, you dig it.. [come on!]. u+ F* A8 d' K% L. p) I' ?

+ s% c% j, w- B9 b[ Chorus ]% E0 U! ?$ D- g. q) k0 K( B
( ^9 r& h7 r6 K0 a1 Q
We run it! You know, you actin' like you don't know [whoa!]; o' h/ W1 Y. }. p0 k- k$ M
I tear the club up fo' sho [fo' sho!]
6 t+ h2 p; _; @0 XThis flow is gon' bring more dough [more dough!]. a( n# `* I8 u% k# z# A
And you know but you actin' like you don't know [don't know!]
7 m+ F  ^8 X- Z) @. @" E( @; NWho run it? You know, you actin' like you don't know [yeah!]! n1 J& w; X) u2 ^+ h. u& W
I tear the club up fo' sho
& {6 a* C/ H+ U7 G- T$ xThis flow is gon' bring more dough
( b8 \& L5 ^" |3 p6 _- zAnd you know but you actin' like you don't know
' \: ~  |7 }) M5 `" `2 h6 P% NWho run it?
% d  T( e) i; y& d, r; B9 W& ]2 _; U; g# U6 N. s
[ Outro ] [ Tony Yayo ]
$ T; E- j9 ]' ?' \
) e# l+ o0 _* ~, v- k" vYou know what this is..
3 t& S+ _6 R; I7 \/ h4 mShady.. G-unit.. Aftermath..
2 L0 b1 o" i5 N& {, ~' uLloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..* b0 w6 Y" {) _
Its a movement.. You can't stop it..0 P3 _; G2 h$ w0 T" G
Talk of New York, Tony Yayo..' C( J( O' U! i" }3 x) Q
Go.......
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)
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Still Life
4 c. _8 ]' g; d; P# I2 A8 BNIBIRU1 x* s( ~, X! x8 u' l6 n+ l
Broken Sword 3 Sleeping Dragon
. I) }* m/ l0 B, ?2 jIndiana Jones And The Emperor′s Tomb
% b+ p( C& O* ?4 r& UTomb Raider 6 Angel Of Darkness( ~( C& ^# b( ?7 @
Vampire:The Masquerade8 j- `8 _( f8 t5 e
, m7 @+ n0 V7 }
好多啊,AVG也不少
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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